David Bailey: “How are you going to cross the road?”

by JamesNYCJuly 12. 2014 05:40


Mr. Bailey, would you swear in front of the Queen?

No, if you’re going to accept the Queen you have to accept the tradition. You know, I’ve got nothing against monarchy. I think there are too many hangers-on, but that’s also a cliché thing to say. I doubt she’d be too shocked. She’s been around; she’s not stupid.

You recently took the official photo for her 88th birthday.

Yes and I think she looks incredible for 88. I had never photographed her before.

Why not?

I wouldn’t photograph anybody if they only give you five minutes. I don’t care who it is. I don’t care if God phoned me up and said, “I want a picture, I’ve only got five minutes.” I’d say, “Well, work some of your magic and make it longer!” Even though I’m actually quicker than most and I usually get bored before they get bored.

What kind of people are the most difficult to photograph?

Lots of politicians are so full of themselves. Sports people too a bit. But actors are the most difficult because you never know who you’re photographing. They could be Hamlet or Lassie. But the fewer people they come with, the more interesting they usually are. Johnny Depp came with nobody so I knew it was going to be all right. Jack Nicholson never came with anybody, but Jack’s different because I’ve known him for so long.

 You once said Jack Nicholson is the smartest actor because he knows something nobody else does. What is it that he knows?

I don’t fucking know. If I knew, I’d be as smart as him. (Laughs)

One of the things that fascinated me when I met him was his grin and the sparkle in his eye when he talked about women.

Yeah, with Viagra. He’s the first person that told me about Viagra.

When was that?

Oh, years ago. Before everyone knew about it! (Laughs)

When you know someone very well like you do Jack Nicholson is it easier to take a great portrait of them?

It depends. It’s one of those abstract things. We had a difficult bloke this week, what was he called? Van Morris or somebody… He was so grumpy. But I loved him being grumpy because I could use his grumpiness. I got a great grumpy picture out of him. If I see another picture of a rock ‘n’ roller against some graffiti… It drives you mad, the same old picture! Can’t they ever think of something different to do? So I don’t mind people that are difficult. I quite like that. It amuses me because there is always a way around it. I mean, no one could be more difficult than Van whatever he’s called, Van Morrison.

It seems pointless to have your picture taken if you’re not going to cooperate though.

Well he left really happy, Van Morrison. But it is kind of pointless to come here if you’re not going to help me. They might not like the picture, but one day they will. One day that’s what they’re going to look like – whether they look like that or not. Medici said to Michelangelo, “That sculpture doesn’t look like me.” Michelangelo said, “Listen, you’ll be dead in 20 years, but this will be around for 2,000 years. So, that’s what you look like!” You could say that a bit with photography.

Does it often happen that people aren’t happy with their portrait, but then years later change their mind?

Yeah. 10 years later usually. We had one recently, I won’t mention his name, I shot him 30 years ago and he said, “I hate the picture.” But his wife bought one for him as a birthday present recently. (Laughs) 30 years later and come get the picture.

Are celebrities more difficult nowadays than they were 30 or 40 years ago?

Well, I avoid celebrities. I’m not really interested in people that come with PR. That’s probably why I can’t work in America, because I don’t take all that bullshit. I don’t know how people like Bruce Weber manage, because it would drive me mad. All these silly people who don’t know anything that come with celebrities and try to tell you what to do. It’s madness! They brought it on themselves, the magazines. They should have been stricter. They should have said, “No, we’re not showing you. We’re doing the interview and that’s that.” But instead they pander to them and in the end they end up owning you. Those magazines are owned by the celebrities, really.

You don’t strike me as the type to pander to anyone.

I never really read what people write about me, but the comments people made when doing this exhibition recently at the National Portrait Gallery are so stupid. “Oh, Bailey panders to these people.” I don’t pander to anybody. I just do the picture I do. I don’t care who it is. And I won’t do pictures if people want approval. It has always seemed stupid to me that they ask you to do something and then want to sort of tell you how to do it. What madness!

What about magazines?

In fact, the magazines only get one image. If they don’t like it, then either I say to them, “I have another one,” or else, “Forget it, don’t publish it.”

Does that limit the number of magazines you work with today?

I don’t work for American Vogue anymore, for example. I’m great mates with Anna, I’ve known her for years, but it’s not a question of friendship. It’s just that I don’t do what she wants and she doesn’t do what I want.

Is it impossible for you to collaborate with people that are not exactly on your wavelength?

They’re not even allowed to come on the set when I shoot, not the art director or the stylist or anyone. I’ve always been a bit like that. I remember British Vogue blackmailed photographers in the early days to get them to do what they wanted. They would say, “Well if you don’t sign a contract, you can’t work for us.” And since there was nobody else to work for in England at that moment, you didn’t really have an option. So I’m not very fond of the business people at Condé Nast. I’ve got nothing against the editors and the people that work there, but I think that the business people are less than… modern. (Laughs) I don’t know where they’re coming from! It’s like leftover from a bygone age.

It’s surprising that so much politics are involved in an industry that’s supposed to be so creative.

Well Vogue will destroy itself if it goes on like that because everything that’s run by accountants eventually vanishes up its own ass. The only reason I did fashion in the first place was because I thought, “If I’m going to do photography my way, the only way to be creative and get paid is to do fashion.” So I stopped doing it in the ’80s when I started directing more and more commercials.

How do you pick the people that you take portraits of?

I’m only interested in what I’m interested in.The rest just sort of happened that way. I mean, I knew Mick before he was anybody really, when he was still at the London School of Economics. So that’s another accident in my life, that Mick happened to be a good mate.

You seem to have had all kinds of accidents happen to you. Didn’t Freddie Mercury stick his tongue down your throat during the 1985 Live Aid concert?

Yeah he did. Him and Terry Richardson’s father, they’re the only two men who’ve managed to get their tongues in my mouth! (Laughs)

How many have tried?

Oh, lots. Once I was just in the club and I said, “Who is this old fuck who keeps buying me scotch and sodas?” And they said, “Oh, that’s Francis Bacon.” (Laughs) I didn’t know who Francis Bacon was! But I always took it as a compliment. These silly people that say, “Oh, I was sexually assaulted because somebody grabbed my ass in a gay club.” What are you doing in a gay club?

It’s like going to the pool and complaining that you got wet.

True, if you don’t get your ass grabbed, there’s probably something wrong with you. Take it as an enjoyment! If you don’t like it, don’t go to gay clubs! Fucking idiots. I mean, when I was at school I had teachers try to kiss me all the time, so don’t tell me. It’s all bullshit. If you can’t handle that, then how are you going to get through the rest of life? How are you going to cross the road?

Have you always had a bit of a temper?

Well, that’s a funny story… During the war we got bombed and our flat was so destroyed that we had to move to the countryside. One time two boys said to me, “Would you like a blackberry?” and I said, “Yeah.” So they gave me a blackberry. And they said, “Do you want another one?” I said, “Yeah, it was nice.” And they gave me another one and said, “Did you like that?” I said, “Yes.” And they said, “Well, we peed on those.” So when they had gone I set fire to their fucking field. (Laughs)

How old were you?

About five. Five and a half maybe.



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Drone lighting - MIT Researchers Develop a Drone that Can Automatically Light Your Subjects for You

by JamesNYCJuly 11. 2014 03:32

Autonomous vehicles could automatically assume the right positions for photographic lighting. - Video Below -

In yet another way of feeding on the insecurities of amateure photographers in order to separate them from their money,...
a group of researchers from MIT and Cornell University want your next lighting rig to be autonomous and airborne. On display this August at the Symposium on Computational Aesthetics in Graphics, Visualization and Imaging, they've actually developed a drone that automatically and dynamically lights a subject (living or otherwise) for a photographer while he or she focuses on getting the shot.

Announced earlier today through the MIT News website, the prototype the researchers have ready for demonstration focuses on providing perfect rim lighting and a proof of concept using a difficult to produce effect.

Using a continuous light source, a flash and a laser rangefinder, the flying assistant sets itself up based on the position of the subject as well as what the photographer is seeing through the camera, making sure the lighting is always "picture perfect", if you will.

Using the system is extremely straight-forward. First, the photographer tells the drone what side they want the rim light to come from. Then, once the little helicopter is in position, the photographer indicates in the desired rim width they want by typing in a percentage of the current width.

From that moment on, the drone will handle everything else automatically. If the subject moves and the rim width changes, the drone will move. If the photographer moves, the drone uses a 20-images-per-second feed from the photographers camera to adjust its position accordingly.

No moving lights back and forth, the lights move for you.

The long term goal here is to allow photographers to use a whole fleet of drones in their work, never having to set up another light again. Just indicate the desired effect, and your little Sky Net lighting system gets to work creating that effect and then maintaining it automatically until you move on to the next setup.

And while that autonomous lighting future is still a ways away, Ravi Ramamoorthi, a professor of computer science and engineering at the University of California, San Diego, tells MIT that he believes the system is definitely doable given the rapid advance of the necessary technologies.


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Photographer Creates Free iPhone App for His Signature Style

by JamesNYCJuly 2. 2014 04:52

Photographer John Hornbeck couldn't find a camera app for his phone that came anywhere close to the high-contrast, black-and-white photographs he makes with his camera, and he wasn't interested in "having to purchase a bunch of add-ons." Hornbeck, who earns money from his photography but also works in the software industry, decided to collaborate with a friend to build an app that would come close to reproducing his style.

After they finished the app, Contrast by Hornbeck, the photographer used it for a few months before he and the developer decided to “push it out to the public and see if there would be any interest from others.” There has been.

Hornbeck has promoted the app—it’s available for free—via his social media channels, and others have shared it. “I know at least a couple of respected photographers who use it and have told others about it, so it’s just word of mouth and people playing around,” he says. The downloads number “in the thousands,” and several hundred images on Instagram are tagged with the #contrast by hornbeck hashtag.

The biggest thing this app offers that others don’t, Hornbeck says, is simplicity. Photographers can use it to make high-contrast, black-and-white shots. “That’s all it does and we have no plans to really change that.”


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Nikon D810 vs Canon 5D Mark III

by JamesNYCJuly 1. 2014 05:10

Nikon D810 vs Canon 5D Mark III Video Test

Lenses used :- Nikkor 24-70 2.8 Canon 24-70 2.8
Note :- No editing is done. Both Camera are set on Same ISO-Aperture-Shutter Speed - Standard Style & Used same quality of Lenses . * No Atomos Ninja -2 or Atomos Samurai or Blade or No any other External Video Recorder are used. Its All In camera Video Footages.


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Apple To Cease Development Of Aperture And Transition Users To Photos For OS X

by JamesNYCJune 27. 2014 08:48

For those looking to switch from Aperture To Lightroom Adobe provides this PDF.


With the release of OS X Yosemite later this year, Apple will cease the development of its ‘pro’ photo editing app Aperture. Users of that program will be transitioned to Photos, a new app that was introduced during the WWDC keynote and that will be released next year.

Photos integrates many of the advanced photo editing features that were previously found in Aperture and will replace iPhoto on the new OS X as well.

With the introduction of the new Photos app and iCloud Photo Library, enabling you to safely store all of your photos in iCloud and access them from anywhere, there will be no new development of Aperture,” an Apple spokesperson told TechCrunch. “When Photos for OS X ships next year, users will be able to migrate their existing Aperture libraries to Photos for OS X.”

Apple says that it will provide compatibility updates to Aperture that allow it to run on OS X Yosemite, but will not continue to develop it. Adobe says that it will ‘double down’ on Lightroom support and offer Apple users a way to migrate: Put simply we’re doubling down on our investments in Lightroom and the new Creative Cloud Photography plan and you can expect to see a rich roadmap of rapid innovation for desktop, web and device workflows in the coming weeks, months and years. We also continue to invest actively on the iOS and OSX platforms, and are committed to helping interested iPhoto and Aperture customers migrate to our rich solution across desktop, device and web workflows.

Here's a new image of Photos on OS X Yosemite:

Apple will also provide update paths that help users transition from Aperture and iPhoto to Photos for OS X. This does not, Apple says, signal a move away from servicing pro customers with other apps like Final Cut Pro and Logic, which will stick around.

As a long-time Lightroom user and ex pro photographer, this news doesn’t surprise me in the least. Lightroom did a killer job of siphoning Aperture customers, especially as Aperture endured long periods of languishing without a lot of major updates. Now, Apple is formalizing that shift by unifying its photos apps into one offering. And Photos, unlike Aperture, integrates Apple’s new iCloud Photo Library, which should make things easier for people with multiple Apple devices.

I would also not be surprised if Apple discontinued iPhoto on iOS in favor of one photos app there, as iOS 8 will introduce new editing tools to the stock app. But I have no information on whether that will happen or not; it’s just a hunch.


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Behind the Scenes of OK Go’s Viral Optical Illusion-Packed Single Take Music Video

by JamesNYCJune 24. 2014 03:13

Go‘s recent music video for the song “The Writing’s On the Wall” was a huge hit, receiving over 7.6M views on YouTube.While it was shot in a single take, doesn’t mean it only took just one take to get it right. The end result is the best of 50 tries and 3 weeks worth of rehearsals.

OK Go - The Writing's On the Wall - Official Video

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Dior Addict – Director’s Cut

by JamesNYCJune 11. 2014 15:58

Dior recruited director Harmony Korine (Spring Breakers) for its latest perfume spot, featuring Russian model Sasha Luss in a through-the-looking-glass scenario set to a Die Antwoord soundtrack.

More here

Dior Addict Fragrance - Making-of

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iPhone music video - All By Myself

by JamesNYCJune 11. 2014 01:03

This is what creative people do when they are stuck at the Las Vegas airport overnight; Shoot a music video on your iPhone.

All by myself from Richard Dunn on Vimeo.

The following is an interview with Richard Dunn from CBC radio Canada


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Job Opening - Industrial Color Photo Production Coordinator, NY

by JamesNYCJune 2. 2014 12:12

Photo Production Coordinator, NY


Industrial Color, the leader in digital still and video capture and post-production services, seeks a full-time Photo Production Coordinator to join our New York team.

General Responsibilities:

Handle all aspects of shoot production, including:

  • Meet and consult with clients regarding pre-production, production, crew, cameras, equipment, lighting, post, processing and deliverables.
  • Work with internal team to coordinate shoots, digital techs, equipment coordinators and Technical Managers.
  • Manage techs shoot schedules and manage travel.
  • Negotiate and prepare estimates, acquire all production forms including carnets, certificates of insurance, account applications, credit card approval forms and applications
  • Oversee shoots to completion through billing.
  • Participate and contribute to sales efforts, including outreach, demos, presentations, treatments, on set visits, account relationship building and company marketing activities.
  • Coordinate combined production with other Industrial Color Brands divisions including Industrial Color Software, Impact Digital and Fast Ashley’s Studios.
  • Basic Office Management duties for team under 15 employees

Technical Qualifications:

  • Extensive experience in commercial photo production.
  • Solid knowledge of industry standard production hardware and software applications
  • Proficient in office applications including Excel, Word and FileMaker
  • Working knowledge of core production equipment, cameras and digital backs

Skills and Experience:

  • 2+ years of high-end photo shoot production
  • Bachelor’s degree in Photography, Film or related field of study preferred
  • Solid written and verbal communication skills, especially under pressure
  • Quick and accurate problem solver
  • Budgeting and negotiation experience
  • Excellent account relationship skills
  • Ability to manage crew and see projects through to completion
  • Proven ability to multi task, prioritize and handle demanding deadlines and multi-shoot days.
  • Multi-lingual a plus
  • Ability to manage and organize an ever changing shoot calendar

Competitive benefits, salary and compensation dependent upon experience

Go to the Industrial Color site.

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Tanzania4Two - Crowfunding Project: documenting the work of Artists for World Peace

by JamesNYCMay 26. 2014 21:51

Claudia Paul is a german-born photographer based in Harlem, NY - She specializes in editorial and commercial portraits. Whenever she gets a chance she likes to pursue her passion of working with Non-Profits and help them spread the work by documenting their causes. One of these great organizations is "Artists for World Peace". You can find out more about what they are up to on their website: http://www.artistsforworldpeace.org

Two years ago Claudia went to Africa with AFWP to document their work at an orphanage in a remote village called Kibosho-Umbwe at the bottom of Kilimanjaro.
Artists for World Peace has been working to improve the education, health and living standards of orphans and villagers in Tanzania. This grassroots organization brings artists together to change the world, one person, one family, one community at a time.
Watch Claudia’s video of her trip in 2012:

Tanzania 4 Two - the video from Claudia Hehr Photography on Vimeo.

Much has happened since and the team is going back this July, 2014 for a little over 2 weeks.
Exciting news:
- A team of eye doctors will be joining this year to set up a temporary eye clinic at the brand new health center.
- A public television producer/editor and an award-winning writer will be joining the team
- Middlesex Hospital has donated hospital beds for the health center
- Bikes for Kids has donated bicycles for the orphans and villagers
- Mission Soccer has donated soccer equipment to build a soccer field

Claudia’s way of giving her talent to better humanity is through her photographs and video. Please help her travel to Tanzania this summer so she can continue to raise awareness and tell AFWP's important story. In addition to the documentation of this great organization, Claudia's imagery is an important source of promotion that AFWP uses for fund-raising.


Currently there are two wonderful campaigns running benefiting Claudia’s efforts:
You can buy a limited edition T-shirt until Midnight on June 4th, 2014:
Or you can donate money directly via Fundrazr - the campaign just went live and will be running until June 18th at Midnight:

Summary on the 5 Ways you can help Claudia to get to Tanzania - lots of options for everyone:

1) Contribute via Fundrazr:

2) Buy an awesome T-shirt on Teespring:

3) Contribute via check:
Check payable to: Artists for World Peace
Memo: Claudia Paul
Send to:
Artists for World Peace
P.O. Box 95
Middletown, CT 06457

4) Share on Facebook, Twitter, Email, shout it from the mountains - you get the idea !

5) Sponsor photography/video equipment - please contact claudia@claudiahehrphoto for specifics.


Follow Claudia om Twitter here https://twitter.com/ClaudiaCPaul

video: vimeo.com/claudiahehrphoto

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