APE: Tell me why you created the 8×10 digital capture back and how it works?
Mitchell: When I look back, three years ago, it was crazy that I even tried to do this: design and manufacture the world’s largest color capture back, large enough to cover the 8” x 10” format, so that I could continue to shoot like my glass plate-carrying brethren a hundred years ago.
It was a race against the clock, or, specifically, a race to see if my stocks of 8×10 Polaroid would run out before the back was completed. In the early months of investigation most of my evenings were spent on meandering Internet searches. Months more were spent deciphering unintelligible technical papers. The few companies with the right technical expertise were eventually identified, but it was extremely difficult to be taken seriously. The experience felt like working at a call center, making unsolicited calls for storm windows. Eventually, one firm was convinced, and, after over a year of difficult design work, a first prototype was delivered in February 2010. The first production model was delivered about 9 months later.
The Maxback, as it has been named (the Brontoback, Velocicaptor and Back Scratch Fever were rejected), is the largest non-scanning color digital back in the world, with a capture area of over 8×10 inches. The largest commercially available color digital camera backs are about 4.5 x 6cm in size. It attaches without modification to a Sinar, and delivers high quality interim captures in under 30 seconds.
I use the back while I am working. Once I am happy with a photo, I flip off the back and then shoot a couple of sheets. In this way, I have the quality of 8×10 film, and the immediacy of digital capture. Crazy, right?
PLEASE CHECK OUT THE ORIGANAL STORY HERE