DaVinci Resolve 12.1: Remote Rendering, Native Display Support & More

by JamesNYCNovember 10. 2015 13:34

With the release of DaVinci Resolve 12, the former color suite has turned into a full blown NLE. This has been further expanded with version update 12.1; giving editors the ability to select clips when using the blade tool, extend freeze frames, use faders on generators and titles, perform negative time-code offsets and much more.

Since it's initial release in September(2015), DaVinci Resolve 12 has been downloaded by more customers than any other version of the NLE software and has become the industry's fastest growing video editor. DaVinci Resolve is now used on virtually all major films, television shows and commercials! "We've listened to feedback from professional editors and colorists and are excited to give them this free update which includes even more of the features they've been asking for!"

Here is a list of the many changes in 12.1:

  • Remote rendering on DaVinci Resolve Studio
  • Support for native display color profiles on OS X
  • Preferences option to enable 10-bit precision on viewers on OS X 10.11 El Capitan
  • Ability to select clips when in blade mode
  • Support for faders on generators and titles
  • Ability to extend freeze frames from the start of the edit
  • Ability to media manage selected clips on a timeline
  • Ability to perform negative timecode offset in clip attributes
  • Improved support for sub-clips from FCP7 XML
  • Improved rendering of audio transitions (cross-fades) and audio faders
  • Auto scroll during timeline item resize
  • Improved sorting in media storage and media pool
  • Support for smart bin filtering based on clip type
  • Ability to move clips and timelines from a smart bin view
  • Support for moving files to the trash instead of deleting them permanently when using the media manager on both Mac and Windows systems
  • Ability to delete multiple projects and folders in project manager
  • Ability to decompose a compound node
  • Ability to grade nested timelines
  • Ability to filter clips based on whether they have keyframes
  • Ability to manually keyframe power windows in frame mode even without tracking
  • Ability to freeze the current frame on an external matte
  • User option to copy flags and markers when performing ColorTrace
  • Improved ACEScc support
  • Support for stereo decision list (SDL) v0.25
  • Support for RED SDK v6.0.4
  • Support for embedding timecode in audio output

 

DaVinci Resolve 12.1 is available now as a free update to both versions of DaVinci Resolve. You can find the download for it at www.BlackmagicDesign.com

 

Blackmagic Design Announces DaVinci Resolve 12.1 Update Now Available

Fremont, California – November 12, 2015 – Blackmagic Design today announced the immediate availability of DaVinci Resolve 12.1 which adds dozens of new features such as remote rendering, 10-bit viewers, new editing and color correction tools, and more. The DaVinci Resolve 12.1 update is available now for both DaVinci Resolve 12 and DaVinci Resolve 12 Studio customers, and can be downloaded from the Blackmagic Design website.

DaVinci Resolve 12 is the most successful update in the history of the software and has become the industry’s fastest growing video editor. The feedback from the DaVinci Resolve community has been overwhelmingly positive and Blackmagic Design engineers have been hard at work to add even more of the features that professional editors and colorists have asked for.

DaVinci Resolve 12.1 update gives editors the ability to select clips when using the blade tool, extend freeze frames, use faders on generators and titles, perform negative timecode offsets, filter clips more efficiently, media manage groups of selected timeline clips, sort bins and footage more easily, create better filters for smart bins, and much more. Customers also get improved subclip support with Final Cut Pro 7 XMLs and improved audio rendering of audio transitions.

For colorists, DaVinci Resolve 12.1 update adds the ability to color correct nested timelines and to decompose compound nodes along with new manual keyframe options for Power Windows, support for 3D stereo decision lists version 0.25, filtering of keyframed clips, the option to copy flags and markers when performing ColorTrace and more.

In addition, the free DaVinci Resolve 12.1 update adds support for native display profiles on Mac OS X El Capitan, along with the option to enable 10-bit precision in the on screen viewers. That means customers using the new iMac with Retina P3 Display will be able to see more color, detail and dynamic range than ever before.

Since its release in September, the rapidly growing community of DaVinci Resolve 12 editors has meant that developers are now bringing their best and most exciting OpenFX plugins to DaVinci Resolve. For example, GenArts has been working with Blackmagic Design to bring new Sapphire Builder support to DaVinci Resolve 12. Expected in an upcoming Sapphire 9.0.1 release, Builder will let DaVinci Resolve users combine Sapphire plug-ins together in any order to create a virtually unlimited number of unique effects and transitions. “DaVinci Resolve is the first OFX host to support Sapphire Builder!” said Sapphire product manager Brian Fox, “We’re very excited that DaVinci Resolve 12.1 users can benefit from all the new capabilities of Sapphire Builder.”

To support the growing momentum of DaVinci Resolve 12, Blackmagic Design has conducted multiple hands on training sessions with the Motion Pictures Editor’s Guild in Hollywood. “I feel like DaVinci Resolve 12 is the NLE users have been waiting for all of these years,” said Noam Kroll, Los Angeles based filmmaker and editor whose feature film credits include “The Grace Of Jake” (2015), “Shake The Dust” (2014) and “Footsteps” (2012). “DaVinci Resolve 12 offers the same track based system that many editors are most comfortable with, but also provides truly innovative tools that feel very forward thinking.”

“Since it was released in September, DaVinci Resolve 12 has been downloaded by more customers than any other version of the software and has become the industry’s fastest growing video editor,” said Grant Petty, CEO, Blackmagic Design. “DaVinci Resolve is now used on virtually all major films, television shows and commercials! We’ve listened to feedback from professional editors and colorists and are excited to give them this free update which includes even more of the features they’ve been asking for!”

What’s new in DaVinci Resolve 12.1

  • Remote rendering on DaVinci Resolve Studio
  • Support for native display color profiles on OS X
  • Preferences option to enable 10-bit precision on viewers on OS X 10.11 El Capitan
  • Ability to select clips when in blade mode
  • Support for faders on generators and titles
  • Ability to extend freeze frames from the start of the edit
  • Ability to media manage selected clips on a timeline
  • Ability to perform negative timecode offset in clip attributes
  • Improved support for sub-clips from FCP7 XML
  • Improved rendering of audio transitions (cross-fades) and audio faders
  • Auto scroll during timeline item resize
  • Improved sorting in media storage and media pool
  • Support for smart bin filtering based on clip type
  • Ability to move clips and timelines from a smart bin view
  • Support for moving files to the trash instead of deleting them permanently when using the media manager on both Mac and Windows systems
  • Ability to delete multiple projects and folders in project manager
  • Ability to decompose a compound node
  • Ability to grade nested timelines
  • Ability to filter clips based on whether they have keyframes
  • Ability to manually keyframe power windows in frame mode even without tracking
  • Ability to freeze the current frame on an external matte
  • User option to copy flags and markers when performing ColorTrace
  • Improved ACEScc support
  • Support for stereo decision list (SDL) v0.25
  • Support for RED SDK v6.0.4
  • Support for embedding timecode in audio output

About DaVinci Resolve 12

DaVinci Resolve 12 is the only software that lets customers edit, grade and finish projects all in a single tool. DaVinci Resolve lets professional editors work in a comfortable, familiar way while also giving them an entirely new toolset, along with DaVinci’s legendary image processing technology, that will help them cut and finish projects at higher quality than ever before. The familiar multi track timeline, customizable interface and keyboard shortcuts make it easy for editors to switch to DaVinci Resolve 12. Best of all, with DaVinci Resolve there is no monthly subscription, you don’t need to be connected to the cloud, and you don’t need to buy any proprietary hardware.

DaVinci Resolve Versions

DaVinci Resolve 12 is available for Mac, Windows and Linux computers with 3 versions available:

DaVinci Resolve 12 is free for customers to download and is a full professional editing and color grading system that is suitable for independent users working on SD, HD and Ultra HD projects. The free version supports all of the same file formats and has the same exact image quality as the paid version of DaVinci Resolve. The free version is designed for editors and colorists who need a dependable and professional tool to grow their business.

DaVinci Resolve 12 Studio is $995 and has all of the same features as the free version, but also adds support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, 3D stereoscopic tools, remote rendering, and collaboration tools that let multiple users work on the same project at the same time. DaVinci Resolve 12 Studio is recommended for professional studios and collaborative workgroups.

DaVinci Resolve Advanced Panel is $29,995 and includes the Linux, Mac and Windows version of DaVinci Resolve 12 Studio, along with the award winning DaVinci Resolve hardware control surface. Designed with input from professional colorists, the DaVinci Resolve Advanced Panel lets colorists manipulate multiple parameters simultaneously, giving them more control and creative options than is possible with a standard mouse and keyboard.

Availability and Price

DaVinci Resolve 12 and DaVinci Resolve 12 Studio are available now for download from the Blackmagic Design web site free of charge for all DaVinci Resolve customers.

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Western Digital acquires SanDisk and becomes a memory super power.

by JamesNYCOctober 21. 2015 22:37

 

Major hard drive maker Western Digital has announced that it is acquiring SanDisk, one of the biggest and most familiar names in flash storage, creating a new global memory giant of sorts.

Western Digital says the deal, which involves acquiring a combination of cash and SanDisk stock valued at about US$19 billion, will double its addressable market and give it long-term, lower-cost access to solid state technology.

Both companies argue that the acquisition is beneficial to shareholders, but what it will mean for consumers will depend upon how successful a newly swollen Western Digital can be at using Sandisk's resources to create new and innovative storage products.

A long term joint venture between Sandisk and Toshiba, which holds claim to the invention of NAND Flash memory technology back in 1987, surely sweetens the deal for Western Digital and adds some capability when it comes to newer memory technologies like 3D NAND.

The deal still requires approval by SanDisk shareholders. It is expected to close in the third quarter of 2016.

 

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Straight talk from Henri Cartier-Bresson, 1958

by JamesNYCMay 20. 2015 14:31

Brilliant insights from a true legend.

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Broncolor FT-System Continuous Lights With New Parabolic Reflectors

by JamesNYCApril 21. 2015 12:57

Hot lights have become common place in the studio for some time now, especially with the advent of video DSLRs.

And While BRIESE Lighting has been the dominant player in the CONVERTIBLE LIGHTING sector for the last 18 years; it' appears that Broncolor is finally taking a cue from them and following suite with ere latest offering.

The newest Broncolor light is made to fit into one of Broncolor's new parabolic reflectors which are known for being pretty great, yet expensive. Although the prices have yet to be released it's far to say that these are for a select clientele and the new FT-System is fit for both pro photographers and videographers alike - giving a good deal of bang for your buck.

One of the biggest benefits of the new system is that the light is completely flicker-free, according to Broncolor. This is amazing news for blink-of-an-eye paced shooting as well as cinematography. There are two models for the new product, the 1600 and the 2000. The 1600 is a 1600 watt daylight balanced light, while the 2000 is the 2000 watt tungsten balanced light. Each head attached to an electronic ballast and has a lamp head and focusing device. 

The complete Broncolor FT System is set to start shipping September 2015

FULL PRODUCT SPEC HERE

 

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Adobe rolls out Lightroom CC and Lightroom 6 with HDR and panorama tools

by JamesNYCApril 21. 2015 12:37

Adobe has announced new standalone and Creative Cloud versions of its image management and Raw conversion software, Lightroom. The latest versions gain simple HDR and Panorama merging tools that create DNG files from the merged results (16-bit floating point DNGs in the case of the HDR mode). Also added is the ability to paint-out regions of gradient filters, to allow more flexible overlays. Face Recognition tools have also been added, to simplify the tagging and retrieval of images.

The CC version of the software is also designed to tie-in with the iOS and Android versions of Lightroom, by allowing for collections you choose to be synced and available across multiple devices, as well as on a web platform. The CC version also works with Voice and Slate: two new programs for creating image-based animations and presentations.

Read more here

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Motion Graphics Studio Creates Website to Help Amateurs Get Organized

by JamesNYCApril 10. 2015 12:54

WICHITA, KS APRIL 9, 2015 – Justin McClure Creative has launched Get Your Shit Together, a hub for animators, editors and motion-graphics artists. The website offers industry insight on creating project folder structures, project naming conventions and After Effects project folder scripts.

The site also offers free downloads from Justin McClure Creative and other top professionals in the industry including David Bennett of CMT, Jonathan Winbush of Winbush and Harry Frank from GrayMachine.com. 
“The way you structure and name your files might just be the biggest tip of the hat that you’re still a rookie,” said McClure.

“It wasn't until I landed a job as a designer/animator at CMT in Nashville that I really learned what it meant to be organized. From naming conventions to folder structures, I learned that everything had a place and a name.”

McClure hopes the site will help freelancers and rookies save time, headaches and possibly that next big gig. 

“It takes years to craft your style and technique,” stated McClure. “As designers and animators we have to keep track of many different types of assets, so the last thing you want to do is lose a client because you just didn’t have your shit together.”

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Let There Be Light – Four Common Types of Film Lights

by JamesNYCApril 7. 2015 12:42

A nice little article on lighting over at Cenema5D.com

Beyond the camera and lens, the most important technical and creative skill you can have is learning to use and shape light. A good place to start is knowing the tools you have at your disposal.

Read more Here

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Herring & Herring - Why create a print publication in a digital era?

by JamesNYCOctober 6. 2014 06:12

Herring&Herring: http://www.herringandherring.com & http://magazine.herringandherring.com

Herring&Herring are: Jesper Carlsen & Dimitri Scheblanov

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Welcome to my world" Armin Morbach, fine art fashion

by JamesNYCSeptember 24. 2014 06:25

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LEAF introduces a new 50-megapixel CMOS - Leaf Credo 50

by JamesNYCSeptember 8. 2014 10:24

The Leaf Credo 50, from Mamiya Leaf, is the latest medium-format shooter to feature a 50-megapixel CMOS sensor. As such, the new digital back follows in the footsteps of recently-released devices like the Phase One IQ250, Hasselblad H5D-50c and Pentax 645Z, by boasting a versatile wide ISO range, improved Live View, and faster continuous shooting than its predecessors.

The 50-megapixel medium-format (44 x 33 mm) CMOS sensor at the heart of the Credo 50 is manufactured by Sony, and is understood to be the same one used in a number of rival cameras. In this case it's paired with a new image processor, to offer faster read and write speeds, and help produce highly detailed images with classic Leaf colors, which tend to be more film-like than many other digital cameras.

With an ISO range of 100 to 6,400, the new digital back should be capable of delivering the photographic goods in a variety of lighting conditions. Its 14-bit RAW files also have an expanded dynamic range of 14 stops. Though it's certainly no sports shooter, the Credo 50 is capable of firing off 1.2 frames per second, and its exposures can range from 1/10,000th of a second to an hour.

While the Credo 50 digital back will be available in a number of mounts for use with different camera bodies, its makers would probably rather you use it with a Mamiya/Phase One 645 DF+. On its rear is a 3.2-inch touchscreen display with a 1.15-megapixel resolution. This can be used for improved Live View focus and framing, adjusting settings, as well as inspecting and editing shots.

As full-resolution RAW files can come in at around 50 MB, users might want to stock up on CompactFlash cards if shooting un-tethered. However, if studio-based tethered shooting is more your thing, you'll be pleased to know that the Credo 50 features FireWire 800 and USB 3.0 connectivity, and comes with Capture One software for image capture and editing. Unfortunately though, it lacks the built-in Wi-Fi of the Phase One IQ250.

The Mamiya Leaf Credo 50 digital back will be on show at Photokina 2014, and available later this month for US$27,000 or $31,000 as a system with a 645 DF+ body. There will also be a Wide-Spectrum back option for Near IR and UV imaging.

NEW SENSOR-NEW POSSIBILITIES

The new Leaf Credo 50 is the latest member to the very successful Credo line. It follows the course of delivering legendary image quality and by employing a new high-performance CMOS sensor, it brings high iso capabilities along with fast capture rate, high dynamic range and improved Live View performance.

HIGH RESOLUTION AND HIGH SPEED

The Leaf Credo uses high resolution SONY CMOS sensor with 50 Megapixel, measuring 44mm x 33mm. It can capture at 1.2 frames per second and provides an extended iso range of 100-6400 means more freedom in choosing locations, lighting conditions and capture parameters. For many photographers this means they no longer have to carry another camera for certain type of jobs.

UNCOMPROMISING IMAGE QUALITY

The Leaf Credo 50 delivers the stunning, film-like quality that has been Leaf’s trademark for many years. The new CMOS sensor delivers an unsurpassed 14 f-stops of dynamic range provides unmatched detail, richness of color, low noise and beautiful tonality.

HIGH QUALITY LIVE VIEW

The use of the new CMOS sensor allows for improved Live View image quality with faster refresh rate ald low noise at almost every lighting conditions.

LONG EXPOSURES

The New Leaf Credo 50 digital back can capture virtually noise free images with exposures of up to 1 hour long.

WIDE SPECTURM

The Leaf Credo 50 is available also in Wide-Spectrum version, where the standard IR-cut filter has been replaced with an optically corrected glass. This new back delivers amazingly clean detail in a wider wavelength range due to high NIR sensitivity, high iso capability and excellent long exposures performance. Read more about the WS backs.

CAPTURE ONE SOFTWARE

You are now able to leverage the unique features and workflow environment of Capture One workflow software to optimize and enhance your images, create web galleries and print contact sheets directly from the computer. Together, the Leaf Credo 50 and Capture One are essential tools in producing the results you expect The Leaf Credo 50 offers the best price-performance ratio of any high resolution, high iso single-shot capture device, enabling you to take your photography further by capturing the highest quality, single-shot images possible. The sensor provides the ability to record the finest detail, eliminating the need to use cumbersome multi-shot solutions.

TOTAL CONTROL FROM CAPTURE-TO-DELIVERY

The Leaf Credo 50 lets you shoot anywhere. Featuring a high resolution, touch 3.2” screen, enabling you t o view, inspect and edit your images under all kinds of challenging lighting conditions, both in-studio and outside, as well as offering a wide range of on-screen functions.

CAPTURE SPEEDS AS FAST AS 1.2 FRAMES PER SECOND

Providing the fastest image transfer speed through the use of advanced FireWire 800, USB 3.0 and UDMA CompactFlash technologies, the Leaf Credo 50 is built for speed.

 

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