Straight talk from Henri Cartier-Bresson, 1958

by JamesNYCMay 20. 2015 14:31

Brilliant insights from a true legend.

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Broncolor FT-System Continuous Lights With New Parabolic Reflectors

by JamesNYCApril 21. 2015 12:57

Hot lights have become common place in the studio for some time now, especially with the advent of video DSLRs.

And While BRIESE Lighting has been the dominant player in the CONVERTIBLE LIGHTING sector for the last 18 years; it' appears that Broncolor is finally taking a cue from them and following suite with ere latest offering.

The newest Broncolor light is made to fit into one of Broncolor's new parabolic reflectors which are known for being pretty great, yet expensive. Although the prices have yet to be released it's far to say that these are for a select clientele and the new FT-System is fit for both pro photographers and videographers alike - giving a good deal of bang for your buck.

One of the biggest benefits of the new system is that the light is completely flicker-free, according to Broncolor. This is amazing news for blink-of-an-eye paced shooting as well as cinematography. There are two models for the new product, the 1600 and the 2000. The 1600 is a 1600 watt daylight balanced light, while the 2000 is the 2000 watt tungsten balanced light. Each head attached to an electronic ballast and has a lamp head and focusing device. 

The complete Broncolor FT System is set to start shipping September 2015



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Adobe rolls out Lightroom CC and Lightroom 6 with HDR and panorama tools

by JamesNYCApril 21. 2015 12:37

Adobe has announced new standalone and Creative Cloud versions of its image management and Raw conversion software, Lightroom. The latest versions gain simple HDR and Panorama merging tools that create DNG files from the merged results (16-bit floating point DNGs in the case of the HDR mode). Also added is the ability to paint-out regions of gradient filters, to allow more flexible overlays. Face Recognition tools have also been added, to simplify the tagging and retrieval of images.

The CC version of the software is also designed to tie-in with the iOS and Android versions of Lightroom, by allowing for collections you choose to be synced and available across multiple devices, as well as on a web platform. The CC version also works with Voice and Slate: two new programs for creating image-based animations and presentations.

Read more here

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Motion Graphics Studio Creates Website to Help Amateurs Get Organized

by JamesNYCApril 10. 2015 12:54

WICHITA, KS APRIL 9, 2015 – Justin McClure Creative has launched Get Your Shit Together, a hub for animators, editors and motion-graphics artists. The website offers industry insight on creating project folder structures, project naming conventions and After Effects project folder scripts.

The site also offers free downloads from Justin McClure Creative and other top professionals in the industry including David Bennett of CMT, Jonathan Winbush of Winbush and Harry Frank from 
“The way you structure and name your files might just be the biggest tip of the hat that you’re still a rookie,” said McClure.

“It wasn't until I landed a job as a designer/animator at CMT in Nashville that I really learned what it meant to be organized. From naming conventions to folder structures, I learned that everything had a place and a name.”

McClure hopes the site will help freelancers and rookies save time, headaches and possibly that next big gig. 

“It takes years to craft your style and technique,” stated McClure. “As designers and animators we have to keep track of many different types of assets, so the last thing you want to do is lose a client because you just didn’t have your shit together.”

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Let There Be Light – Four Common Types of Film Lights

by JamesNYCApril 7. 2015 12:42

A nice little article on lighting over at

Beyond the camera and lens, the most important technical and creative skill you can have is learning to use and shape light. A good place to start is knowing the tools you have at your disposal.

Read more Here

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Herring & Herring - Why create a print publication in a digital era?

by JamesNYCOctober 6. 2014 06:12

Herring&Herring: &

Herring&Herring are: Jesper Carlsen & Dimitri Scheblanov

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Welcome to my world" Armin Morbach, fine art fashion

by JamesNYCSeptember 24. 2014 06:25

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LEAF introduces a new 50-megapixel CMOS - Leaf Credo 50

by JamesNYCSeptember 8. 2014 10:24

The Leaf Credo 50, from Mamiya Leaf, is the latest medium-format shooter to feature a 50-megapixel CMOS sensor. As such, the new digital back follows in the footsteps of recently-released devices like the Phase One IQ250, Hasselblad H5D-50c and Pentax 645Z, by boasting a versatile wide ISO range, improved Live View, and faster continuous shooting than its predecessors.

The 50-megapixel medium-format (44 x 33 mm) CMOS sensor at the heart of the Credo 50 is manufactured by Sony, and is understood to be the same one used in a number of rival cameras. In this case it's paired with a new image processor, to offer faster read and write speeds, and help produce highly detailed images with classic Leaf colors, which tend to be more film-like than many other digital cameras.

With an ISO range of 100 to 6,400, the new digital back should be capable of delivering the photographic goods in a variety of lighting conditions. Its 14-bit RAW files also have an expanded dynamic range of 14 stops. Though it's certainly no sports shooter, the Credo 50 is capable of firing off 1.2 frames per second, and its exposures can range from 1/10,000th of a second to an hour.

While the Credo 50 digital back will be available in a number of mounts for use with different camera bodies, its makers would probably rather you use it with a Mamiya/Phase One 645 DF+. On its rear is a 3.2-inch touchscreen display with a 1.15-megapixel resolution. This can be used for improved Live View focus and framing, adjusting settings, as well as inspecting and editing shots.

As full-resolution RAW files can come in at around 50 MB, users might want to stock up on CompactFlash cards if shooting un-tethered. However, if studio-based tethered shooting is more your thing, you'll be pleased to know that the Credo 50 features FireWire 800 and USB 3.0 connectivity, and comes with Capture One software for image capture and editing. Unfortunately though, it lacks the built-in Wi-Fi of the Phase One IQ250.

The Mamiya Leaf Credo 50 digital back will be on show at Photokina 2014, and available later this month for US$27,000 or $31,000 as a system with a 645 DF+ body. There will also be a Wide-Spectrum back option for Near IR and UV imaging.


The new Leaf Credo 50 is the latest member to the very successful Credo line. It follows the course of delivering legendary image quality and by employing a new high-performance CMOS sensor, it brings high iso capabilities along with fast capture rate, high dynamic range and improved Live View performance.


The Leaf Credo uses high resolution SONY CMOS sensor with 50 Megapixel, measuring 44mm x 33mm. It can capture at 1.2 frames per second and provides an extended iso range of 100-6400 means more freedom in choosing locations, lighting conditions and capture parameters. For many photographers this means they no longer have to carry another camera for certain type of jobs.


The Leaf Credo 50 delivers the stunning, film-like quality that has been Leaf’s trademark for many years. The new CMOS sensor delivers an unsurpassed 14 f-stops of dynamic range provides unmatched detail, richness of color, low noise and beautiful tonality.


The use of the new CMOS sensor allows for improved Live View image quality with faster refresh rate ald low noise at almost every lighting conditions.


The New Leaf Credo 50 digital back can capture virtually noise free images with exposures of up to 1 hour long.


The Leaf Credo 50 is available also in Wide-Spectrum version, where the standard IR-cut filter has been replaced with an optically corrected glass. This new back delivers amazingly clean detail in a wider wavelength range due to high NIR sensitivity, high iso capability and excellent long exposures performance. Read more about the WS backs.


You are now able to leverage the unique features and workflow environment of Capture One workflow software to optimize and enhance your images, create web galleries and print contact sheets directly from the computer. Together, the Leaf Credo 50 and Capture One are essential tools in producing the results you expect The Leaf Credo 50 offers the best price-performance ratio of any high resolution, high iso single-shot capture device, enabling you to take your photography further by capturing the highest quality, single-shot images possible. The sensor provides the ability to record the finest detail, eliminating the need to use cumbersome multi-shot solutions.


The Leaf Credo 50 lets you shoot anywhere. Featuring a high resolution, touch 3.2” screen, enabling you t o view, inspect and edit your images under all kinds of challenging lighting conditions, both in-studio and outside, as well as offering a wide range of on-screen functions.


Providing the fastest image transfer speed through the use of advanced FireWire 800, USB 3.0 and UDMA CompactFlash technologies, the Leaf Credo 50 is built for speed.


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Samsung 850 Pro 3D NAND and RAM caching result in the fastest, most durable SSD money can buy

by JamesNYCSeptember 3. 2014 06:16

In the world of SSDs, the Samsung 850 Pro is a major achievement. Up until now, all of the advances in SSD technology have come from either shrinking the size of the memory cells through using smaller process nodes, or through packing more data into each cell. For years, that approach won us ever-falling prices and improved performance, but it came with a built-in timer — at each successively smaller process node, it became more and more difficult for manufacturers to ensure NAND would retain its speed and reliability for years.

The alternative to this approach is to adopt 3D NAND, also called V-NAND (Vertical NAND), and stand the entire die stack on its head. The 850 Pro is the first SSD to deploy this method. Samsung has worked on the technology for years. We’ve discussed 3D NAND multiple times before — the basic idea is that by standing the NAND stack on its head and working downwards, it’s possible to build a NAND structure that holds a great deal more data per square millimeter — or at least, that’s the eventual goal.

read more here

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How Codecs Work - Tutorial

by JamesNYCSeptember 2. 2014 09:32

If you work with video, it's vital to understand how codecs work and how they change your image. In this tutorial, I over all of the big concepts behind codecs, breaking it down into understandable pieces. While the nitty-gritty of compression algorithms can get complicated, all of the main ideas are quite simple.

Here's an overview of the topics covered:

- What a codec is - And how it differs from a container.
- Different types of codecs - And why I frequently use 4 different codecs on a single project.
- Bit Depth - What it means and why it matters.
- Chroma Subsampling - 4:4:4, 4:2:2, and 4:2:0, and when it becomes an issue.
- Spatial Compression and Blocking - One of the most common artefacts you see with normal work.
- Temporal Compression - Long-GOP codecs, inter-frame compression, and ALL-I codecs.
- Lossless vs. Lossy compression - How image compression differs from data compression.
- Bit Rate - How to calculate bit rates and the differences between kbps/kBps/Mbps/MBps.
- Raw - Briefly, the difference between Raw, compressed, and uncompressed video.

Take a look at the companion post on as well

How Codecs Work - Tutorial from David Kong on Vimeo.

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