The most important and spot on advice any new or existing photographer could ever learn

by JamesNYCJuly 17. 2014 11:10

Greg Heisler Talks Photography as a Career and Having ‘True’ Style

The advice given in this video by Gregory Heisler is so dead on it should be required viewing

 

Gregory Heisler from Maine Media Workshops + College on Vimeo.

As much information as we’re able to pull in through the Internet, there is one thing that can never be obtained through words or pictures on a screen: experience. Through time and experience, information turns to knowledge, and we begin to wrap our heads around the complicated concepts that baffled us in the beginning.

One phenomenal example of a man who has accrued more experience than most is renowned portrait photographer Gregory Heisler, and in the interview above with Maine Media Workshops + College, he shares valuable insight and advice for photographers both young and old.

Heisler starts off with a funny, profound and very relatable event that took place when he was a young photography student in college. From there, he goes on to share some valuable pieces of knowledge he’s gained throughout his career, covering everything from business to ‘true’ style in that concise and focused manner all his own.

At five-and-a-half minutes long, it’s a quick watch that will enrich your day and, quite possibly, your career as a photographer. Be sure to give it a watch or toss it in your queue so you don’t miss out.

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Elephant Steady camera stabilizer uses iPhone gyro to stay on the level

by JamesNYCJuly 16. 2014 02:12

This is a Kickstarter campaign we like.

One of the neat things about smartphones is the fact that when gadgets are designed to be used with them, those devices can make use of the phone's sensors and other electronics instead of incorporating their own.

 

This, of course, means that those devices can thus be smaller and cheaper than would otherwise be possible. The Elephant Steady is a new motorized iPhone camera-stabilizing rig, that takes this approach.

More...

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RØDE Announces the iXY Microphones for iPhone 5, 5s and 5c

by JamesNYCJuly 13. 2014 02:45

 

The iXY with Lightning connector features a matched pair of ½ inch condenser capsules arranged in a stacked X-Y configuration, with on-board high-fidelity analogue to digital conversion. This ensures accurate, immersive and true to life stereo recordings.

The iXY with Lightning connector provides broadcast quality audio in your pocket, everywhere. Perfect for meetings, reporting, recording music and used on-camera you won't leave home without it.

Interchangeable rubber mounting clamps are supplied to suit both iPhone 5/5s and 5c, which also provide shock mounting and help to minimise vibration transferring to the microphone capsules. A foam windshield for outdoor recording and protective storage pouch are also included.

The RØDEGrip mount is optionally available for mounting the iXY and iPhone on a camera or microphone stand, and a "deadcat" windshield for high wind conditions will be available shortly.

RØDE Rec also recently received an update to increase compatibility and stability on the iOS 7 platform and are available to download in the App Store.

Visit www.ixymic.com for more information

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David Bailey: “How are you going to cross the road?”

by JamesNYCJuly 12. 2014 05:40

 

Mr. Bailey, would you swear in front of the Queen?

No, if you’re going to accept the Queen you have to accept the tradition. You know, I’ve got nothing against monarchy. I think there are too many hangers-on, but that’s also a cliché thing to say. I doubt she’d be too shocked. She’s been around; she’s not stupid.

You recently took the official photo for her 88th birthday.

Yes and I think she looks incredible for 88. I had never photographed her before.

Why not?

I wouldn’t photograph anybody if they only give you five minutes. I don’t care who it is. I don’t care if God phoned me up and said, “I want a picture, I’ve only got five minutes.” I’d say, “Well, work some of your magic and make it longer!” Even though I’m actually quicker than most and I usually get bored before they get bored.

What kind of people are the most difficult to photograph?

Lots of politicians are so full of themselves. Sports people too a bit. But actors are the most difficult because you never know who you’re photographing. They could be Hamlet or Lassie. But the fewer people they come with, the more interesting they usually are. Johnny Depp came with nobody so I knew it was going to be all right. Jack Nicholson never came with anybody, but Jack’s different because I’ve known him for so long.

 You once said Jack Nicholson is the smartest actor because he knows something nobody else does. What is it that he knows?

I don’t fucking know. If I knew, I’d be as smart as him. (Laughs)

One of the things that fascinated me when I met him was his grin and the sparkle in his eye when he talked about women.

Yeah, with Viagra. He’s the first person that told me about Viagra.

When was that?

Oh, years ago. Before everyone knew about it! (Laughs)

When you know someone very well like you do Jack Nicholson is it easier to take a great portrait of them?

It depends. It’s one of those abstract things. We had a difficult bloke this week, what was he called? Van Morris or somebody… He was so grumpy. But I loved him being grumpy because I could use his grumpiness. I got a great grumpy picture out of him. If I see another picture of a rock ‘n’ roller against some graffiti… It drives you mad, the same old picture! Can’t they ever think of something different to do? So I don’t mind people that are difficult. I quite like that. It amuses me because there is always a way around it. I mean, no one could be more difficult than Van whatever he’s called, Van Morrison.

It seems pointless to have your picture taken if you’re not going to cooperate though.

Well he left really happy, Van Morrison. But it is kind of pointless to come here if you’re not going to help me. They might not like the picture, but one day they will. One day that’s what they’re going to look like – whether they look like that or not. Medici said to Michelangelo, “That sculpture doesn’t look like me.” Michelangelo said, “Listen, you’ll be dead in 20 years, but this will be around for 2,000 years. So, that’s what you look like!” You could say that a bit with photography.

Does it often happen that people aren’t happy with their portrait, but then years later change their mind?

Yeah. 10 years later usually. We had one recently, I won’t mention his name, I shot him 30 years ago and he said, “I hate the picture.” But his wife bought one for him as a birthday present recently. (Laughs) 30 years later and come get the picture.

Are celebrities more difficult nowadays than they were 30 or 40 years ago?

Well, I avoid celebrities. I’m not really interested in people that come with PR. That’s probably why I can’t work in America, because I don’t take all that bullshit. I don’t know how people like Bruce Weber manage, because it would drive me mad. All these silly people who don’t know anything that come with celebrities and try to tell you what to do. It’s madness! They brought it on themselves, the magazines. They should have been stricter. They should have said, “No, we’re not showing you. We’re doing the interview and that’s that.” But instead they pander to them and in the end they end up owning you. Those magazines are owned by the celebrities, really.

You don’t strike me as the type to pander to anyone.

I never really read what people write about me, but the comments people made when doing this exhibition recently at the National Portrait Gallery are so stupid. “Oh, Bailey panders to these people.” I don’t pander to anybody. I just do the picture I do. I don’t care who it is. And I won’t do pictures if people want approval. It has always seemed stupid to me that they ask you to do something and then want to sort of tell you how to do it. What madness!

What about magazines?

In fact, the magazines only get one image. If they don’t like it, then either I say to them, “I have another one,” or else, “Forget it, don’t publish it.”

Does that limit the number of magazines you work with today?

I don’t work for American Vogue anymore, for example. I’m great mates with Anna, I’ve known her for years, but it’s not a question of friendship. It’s just that I don’t do what she wants and she doesn’t do what I want.

Is it impossible for you to collaborate with people that are not exactly on your wavelength?

They’re not even allowed to come on the set when I shoot, not the art director or the stylist or anyone. I’ve always been a bit like that. I remember British Vogue blackmailed photographers in the early days to get them to do what they wanted. They would say, “Well if you don’t sign a contract, you can’t work for us.” And since there was nobody else to work for in England at that moment, you didn’t really have an option. So I’m not very fond of the business people at Condé Nast. I’ve got nothing against the editors and the people that work there, but I think that the business people are less than… modern. (Laughs) I don’t know where they’re coming from! It’s like leftover from a bygone age.

It’s surprising that so much politics are involved in an industry that’s supposed to be so creative.

Well Vogue will destroy itself if it goes on like that because everything that’s run by accountants eventually vanishes up its own ass. The only reason I did fashion in the first place was because I thought, “If I’m going to do photography my way, the only way to be creative and get paid is to do fashion.” So I stopped doing it in the ’80s when I started directing more and more commercials.

How do you pick the people that you take portraits of?

I’m only interested in what I’m interested in.The rest just sort of happened that way. I mean, I knew Mick before he was anybody really, when he was still at the London School of Economics. So that’s another accident in my life, that Mick happened to be a good mate.

You seem to have had all kinds of accidents happen to you. Didn’t Freddie Mercury stick his tongue down your throat during the 1985 Live Aid concert?

Yeah he did. Him and Terry Richardson’s father, they’re the only two men who’ve managed to get their tongues in my mouth! (Laughs)

How many have tried?

Oh, lots. Once I was just in the club and I said, “Who is this old fuck who keeps buying me scotch and sodas?” And they said, “Oh, that’s Francis Bacon.” (Laughs) I didn’t know who Francis Bacon was! But I always took it as a compliment. These silly people that say, “Oh, I was sexually assaulted because somebody grabbed my ass in a gay club.” What are you doing in a gay club?

It’s like going to the pool and complaining that you got wet.

True, if you don’t get your ass grabbed, there’s probably something wrong with you. Take it as an enjoyment! If you don’t like it, don’t go to gay clubs! Fucking idiots. I mean, when I was at school I had teachers try to kiss me all the time, so don’t tell me. It’s all bullshit. If you can’t handle that, then how are you going to get through the rest of life? How are you going to cross the road?

Have you always had a bit of a temper?

Well, that’s a funny story… During the war we got bombed and our flat was so destroyed that we had to move to the countryside. One time two boys said to me, “Would you like a blackberry?” and I said, “Yeah.” So they gave me a blackberry. And they said, “Do you want another one?” I said, “Yeah, it was nice.” And they gave me another one and said, “Did you like that?” I said, “Yes.” And they said, “Well, we peed on those.” So when they had gone I set fire to their fucking field. (Laughs)

How old were you?

About five. Five and a half maybe.

 

 VIA THE TALK

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Photographer Creates Free iPhone App for His Signature Style

by JamesNYCJuly 2. 2014 04:52

Photographer John Hornbeck couldn't find a camera app for his phone that came anywhere close to the high-contrast, black-and-white photographs he makes with his camera, and he wasn't interested in "having to purchase a bunch of add-ons." Hornbeck, who earns money from his photography but also works in the software industry, decided to collaborate with a friend to build an app that would come close to reproducing his style.

After they finished the app, Contrast by Hornbeck, the photographer used it for a few months before he and the developer decided to “push it out to the public and see if there would be any interest from others.” There has been.

Hornbeck has promoted the app—it’s available for free—via his social media channels, and others have shared it. “I know at least a couple of respected photographers who use it and have told others about it, so it’s just word of mouth and people playing around,” he says. The downloads number “in the thousands,” and several hundred images on Instagram are tagged with the #contrast by hornbeck hashtag.

The biggest thing this app offers that others don’t, Hornbeck says, is simplicity. Photographers can use it to make high-contrast, black-and-white shots. “That’s all it does and we have no plans to really change that.”

 

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Nikon D810 vs Canon 5D Mark III

by JamesNYCJuly 1. 2014 05:10

Nikon D810 vs Canon 5D Mark III Video Test

Lenses used :- Nikkor 24-70 2.8 Canon 24-70 2.8
Note :- No editing is done. Both Camera are set on Same ISO-Aperture-Shutter Speed - Standard Style & Used same quality of Lenses . * No Atomos Ninja -2 or Atomos Samurai or Blade or No any other External Video Recorder are used. Its All In camera Video Footages.

 

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Job Opening - Industrial Color Photo Production Coordinator, NY

by JamesNYCJune 2. 2014 12:12

Photo Production Coordinator, NY

PHOTO PRODUCTION COORDINATOR, NY
www.IndustrialColor.com

Industrial Color, the leader in digital still and video capture and post-production services, seeks a full-time Photo Production Coordinator to join our New York team.

General Responsibilities:

Handle all aspects of shoot production, including:

  • Meet and consult with clients regarding pre-production, production, crew, cameras, equipment, lighting, post, processing and deliverables.
  • Work with internal team to coordinate shoots, digital techs, equipment coordinators and Technical Managers.
  • Manage techs shoot schedules and manage travel.
  • Negotiate and prepare estimates, acquire all production forms including carnets, certificates of insurance, account applications, credit card approval forms and applications
  • Oversee shoots to completion through billing.
  • Participate and contribute to sales efforts, including outreach, demos, presentations, treatments, on set visits, account relationship building and company marketing activities.
  • Coordinate combined production with other Industrial Color Brands divisions including Industrial Color Software, Impact Digital and Fast Ashley’s Studios.
  • Basic Office Management duties for team under 15 employees

Technical Qualifications:

  • Extensive experience in commercial photo production.
  • Solid knowledge of industry standard production hardware and software applications
  • Proficient in office applications including Excel, Word and FileMaker
  • Working knowledge of core production equipment, cameras and digital backs

Skills and Experience:

  • 2+ years of high-end photo shoot production
  • Bachelor’s degree in Photography, Film or related field of study preferred
  • Solid written and verbal communication skills, especially under pressure
  • Quick and accurate problem solver
  • Budgeting and negotiation experience
  • Excellent account relationship skills
  • Ability to manage crew and see projects through to completion
  • Proven ability to multi task, prioritize and handle demanding deadlines and multi-shoot days.
  • Multi-lingual a plus
  • Ability to manage and organize an ever changing shoot calendar

Competitive benefits, salary and compensation dependent upon experience

Go to the Industrial Color site.

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Tanzania4Two - Crowfunding Project: documenting the work of Artists for World Peace

by JamesNYCMay 26. 2014 21:51

Claudia Paul is a german-born photographer based in Harlem, NY - She specializes in editorial and commercial portraits. Whenever she gets a chance she likes to pursue her passion of working with Non-Profits and help them spread the work by documenting their causes. One of these great organizations is "Artists for World Peace". You can find out more about what they are up to on their website: http://www.artistsforworldpeace.org


Two years ago Claudia went to Africa with AFWP to document their work at an orphanage in a remote village called Kibosho-Umbwe at the bottom of Kilimanjaro.
Artists for World Peace has been working to improve the education, health and living standards of orphans and villagers in Tanzania. This grassroots organization brings artists together to change the world, one person, one family, one community at a time.
Watch Claudia’s video of her trip in 2012:

Tanzania 4 Two - the video from Claudia Hehr Photography on Vimeo.

Much has happened since and the team is going back this July, 2014 for a little over 2 weeks.
Exciting news:
- A team of eye doctors will be joining this year to set up a temporary eye clinic at the brand new health center.
- A public television producer/editor and an award-winning writer will be joining the team
- Middlesex Hospital has donated hospital beds for the health center
- Bikes for Kids has donated bicycles for the orphans and villagers
- Mission Soccer has donated soccer equipment to build a soccer field

Claudia’s way of giving her talent to better humanity is through her photographs and video. Please help her travel to Tanzania this summer so she can continue to raise awareness and tell AFWP's important story. In addition to the documentation of this great organization, Claudia's imagery is an important source of promotion that AFWP uses for fund-raising.

 


Currently there are two wonderful campaigns running benefiting Claudia’s efforts:
You can buy a limited edition T-shirt until Midnight on June 4th, 2014:
www.teespring.com/teesfortanzania
Or you can donate money directly via Fundrazr - the campaign just went live and will be running until June 18th at Midnight:
https://fundrazr.com/campaigns/amDv6

Summary on the 5 Ways you can help Claudia to get to Tanzania - lots of options for everyone:

1) Contribute via Fundrazr:
https://fundrazr.com/campaigns/amDv6

2) Buy an awesome T-shirt on Teespring:
http://teespring.com/teesfortanzania

3) Contribute via check:
Check payable to: Artists for World Peace
Memo: Claudia Paul
Send to:
Artists for World Peace
P.O. Box 95
Middletown, CT 06457

4) Share on Facebook, Twitter, Email, shout it from the mountains - you get the idea !

5) Sponsor photography/video equipment - please contact claudia@claudiahehrphoto for specifics.

Claudia Paul - CLAUDIA HEHR PHOTOGRAPHY
 www.claudiahehrphoto.com

Follow Claudia om Twitter here https://twitter.com/ClaudiaCPaul

video: vimeo.com/claudiahehrphoto

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Alexander McQueen Spring/Summer 2014 Campaign Film directed by Steven Klein

by JamesNYCMay 26. 2014 21:34

A campaign film featuring the Alexander McQueen Spring/Summer 2014 Collection, directed by Steven Klein and featuring Kate Moss.

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Living Moments – Lumia Arc of Wonder Nokia and Microsoft Collaborate on Photographic First & Bullet Effect with 50 Smart Phones

by JamesNYCMay 24. 2014 15:05

The Nokia cell phone is not a video camera, but this video by Paul Trillo caught our attention.
Unfortunately it may cause some people motion sickness watching it.
Arc of Wonder: Bullet- Effect Photoshoot with 50 Lumias It was transported through the bustling streets of New York to capture “Living Moments” using the powerful 41-megapixel camera on the Lumia 1020.

It’s another first for Lumia, connecting 50 smartphones and enabling a “bullet-effect” photoshoot pushes the boundaries of photography and technology. Pioneering filmmaker Paul Trillo, said: “We used a Microsoft Surface tablet to control the shoot and a special app which was designed for the Windows 8 mobile platform.“We captured a total of 30,000 images across Manhattan, including Union Square, Allen St. and Central Park West.”“The Multi Lumia Arc of Wonder combines smart technology to demonstrate the power of Lumia imaging, and the results are stunning” said Costas Syrmos, head of the creative lab.

The film was compiled from the still images shot with 50 Nokia Lumia devices.

Microsoft and renowned filmmaker Paul Trillo joined forces to create a smartphone system that allows users to control multiple Nokia Lumia 1020 devices both wirelessly and simultaneously. Designed for the Windows 8 mobile platform, the “bullet effect” is a technical first on a mobile device, offering 100% mobility.

Behind the Scenes of ‘Living Moments – Lumia Arc of Wonder’

After connecting 50 Nokia Lumia devices, a separate, designated Surface tablet was used as a remote control, creating the “Lumia Arc of Wonder”.

The result reveals the phones’ incredible capabilities for striking, vivid imagery, whilst pushing the boundaries of photography and technology.

Paul’s previous project – ‘Soundtrack: “Robots” by The John Brother’s Piano Company

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Stuff people say

Any photographer who says he’s not a voyeur is either stupid or a liar. - Helmut Newton

 

"The Camera does not lie, Post Production and Publishers do". - James-ism 09/06/2013

 

Nothing ever comes to one, that is worth having, except as a result of hard work. - Booker T. Washington

 

"Papa, ... Music is your love, but Photography is your Religion." - Joya D. Hall-Sullivan | Age 10

 

"All photographs are accurate. None of them is the truth." - Richard Avedon - 1984

 

 "I have not failed. I've just found 10,000 ways that won't work." - Thomas Alva Edison

 

"Any photographer who says he’s not a voyeur is either stupid or a liar." - Helmut Newton

 

"You don’t have to sort of enhance reality. There is nothing stranger than truth." - Annie Leibovitz

 

"When you find yourself beginning to feel a bond between yourself and the people you photograph, when you laugh and cry with their laughter and tears, you will know you are on the right track." - Weegee

 

" The camera is much more than a recording apparatus. It is a medium via which messages reach us from another world." - Orson Welles

 

"Some people's photography is an art. Not mine. Art is a dirty word in photography. All this fine art crap is killing it already." - Helmut Newton

 

"Our virtues and our failings are inseparable, like force and matter. When they separate, man is no more. " - Nikola Tesla

 

"I think all art is about control - the encounter between control and the uncontrollable." - Richard Avedon

 

"The first 10 000 shots are the worst." - Helmut Newton

 

“If I have any ‘message’ worth giving to a beginner it is that there are no short cuts in photography.” – Edward Weston

 

"Men often become what they believe themselves to be. If I believe I cannot do something, it makes me incapable of doing it. But when I believe I can, then I acquire the ability to do it even if I didn't have it in the beginning." - Mahatma Gandhi

 

"Ultimately success or failure in photographing people depends on the photographer's ability to understand his fellow man." - Edward Weston

 

"If you want reality take the bus." - David LaChapelle

 

"You don't take a photograph, you make it." - Ansel Adams

 

"When I have sex with someone I forget who I am. For a minute I even forget I’m human. It’s the same thing when I’m behind a camera. I forget I exist." - Robert Mapplethorpe

 

" Great photography is always on the edge of failure." - Garry Winogrand

 

"I don’t think photography has anything remotely to do with the brain. It has to do with eye appeal." - Horst P. Horst

 

"Be yourself. I much prefer seeing something, even it is clumsy, that doesn't look like somebody else's work." - William Klein

 

"Avedon claims to have been the best photographer in the '60s - bullshit - Bob Richardson was - despite or because of being insane and strung out on drugs, I managed to do photographs that are considered iconic - being known as the 'photographer's photographer' means I lead and they follow - I'm broke and they are rich." - Bob Richardson

 

"If you're absent during my struggle, don't expect to be present during my success" - Will Smith

 

"Either take the lead or follow behind, just stay the fuck out of my way." - James Sullivan

 
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