For still photographers getting into filmmaking, audio has been a difficult production skill to master even in the best circumstances.
When you’re a one-man production team (or even two), you just don’t want to spend the time looking for a clear frequency, and then find half-way through a shot you have to change it again anyway – often my experience with the EW100 G2.
In comes the RØDELink, with virtually no setup; constant frequency hopping; no external antennae to bend; quality I already know; and a price – $399 – roughly half the price of a comparable Sennheiser kit.
RØDE: please add an external mic module.
Tags: Rode, RØDELink Filmmaker Kit, DSLR, Video
Samsung looked to usher in the consumer adoption of solid state drives (SSDs) back in 2013 with the launch of its speedy EVO series. It continues to forge ahead with its high-capacity vision for consumer-oriented, flash memory storage solutions with the addition of a pair of 2TB SSDs to its lineup.
The newest members of Samsung's SSD family are powered by the company's proprietary 3D Vertical NAND (V-NAND) technology, which it first unveiled in 2013. This brings the total range of products in its SSD lineup to 20, ranging in capacity from 120 GB up to the whopping new 2 TB options.
The drives are housed in the same 7 mm, 2.5-in aluminum casing as previous models and comprise 32 layers of 128 GB 3D V-NAND flash chips and an improved MHX controller to better support the 2 TB format. Also inside are four 20 nanometer-class 4Gb LPDDR3 DRAM chips.
Samsung has launched two versions, the 2 TB 850 EVO and 2 TB 850 PRO. The PRO variants have traditionally promised slightly better read/write speeds and reliability. Though Samsung is yet to release technical details on the new drives, it is guaranteeing the PRO model for 10 years or 300 TB written, and the EVO model for five years or 150 TB written.
The 2 TB 850 EVO is expected to cost US$800 and the 2 TB 850 PRO $1,000. There's no official release date yet, but they will be available to buy in 50 countries. Samsung also says that it has plans to extend the 3D V-NAND SSD lineups to include mSATA and M.2 form factors.
Tags: SanDisk, SSD, Flashmemory, photo, photography, photo assistant, photoassistant, DSLR, Canon, Nikon
Flash-based solid state drives (SSDs) have historically been the poor cousins to platter-based HDDs in terms of storage capacity, making them a poorer option for enterprise applications. But SanDisk is looking to change things with its new Optimus MAX SSD, the world's first 2.5-inch Serial Attached SCSI (SAS) SSD packing 4 TB of storage capacity.
Touting the new drive as the first true replacement for legacy mission-critical data center SAS HDDs, SanDisk claims the 4 TB Optimus MAX SSD allows enterprises to maintain their current SAS storage infrastructures, while providing improved, cost-effective performance, and generating less heat and consuming less power than HDDs.
Just exactly how cost effective the new drive is remains to be seen as SanDisk hasn't revealed pricing details, but it is claiming sequential read/write speeds of up to 400/400 MB/s and random read/write speeds of up to 75,000/15,000 Input/Output Operations Per Second (IOPS) for the drive via its SAS 6 Gb/s interface.
Although the thought of slotting a 4 TB SSD into your laptop might sound appealing, SanDisk is targeting the drive at read-intensive applications with typical workloads made up of a read/write ratio of 90/10. This includes data warehousing, media streaming, web servers, video on demand (VOD), and web-based applications.
"Customers have been looking for a way to transition their data centers from HDDs to NAND flash, but have been forced to decide between cost and performance, or give up important functionality," says John Scaramuzzo, Senior Vice President and General Manager, Enterprise Storage Solutions at SanDisk. "We believe that the Optimus MAX will be a disruptive force within the storage industry, catalyzing many organizations to make the switch from their HDD-prominent data center infrastructures to SSDs."
The iXY with Lightning connector features a matched pair of ½ inch condenser capsules arranged in a stacked X-Y configuration, with on-board high-fidelity analogue to digital conversion. This ensures accurate, immersive and true to life stereo recordings.The iXY with Lightning connector provides broadcast quality audio in your pocket, everywhere. Perfect for meetings, reporting, recording music and used on-camera you won't leave home without it.Interchangeable rubber mounting clamps are supplied to suit both iPhone 5/5s and 5c, which also provide shock mounting and help to minimise vibration transferring to the microphone capsules. A foam windshield for outdoor recording and protective storage pouch are also included. The RØDEGrip mount is optionally available for mounting the iXY and iPhone on a camera or microphone stand, and a "deadcat" windshield for high wind conditions will be available shortly.RØDE Rec also recently received an update to increase compatibility and stability on the iOS 7 platform and are available to download in the App Store.Visit www.ixymic.com for more information
Tags: Rode, iXY, iPhone, Photo, Photography, Photographer, Photo Assistant, Photo Assistants, PhotoAssistant, DSLR, Canon, Profoto
Nikon D810 vs Canon 5D Mark III Video TestLenses used :- Nikkor 24-70 2.8 Canon 24-70 2.8Note :- No editing is done. Both Camera are set on Same ISO-Aperture-Shutter Speed - Standard Style & Used same quality of Lenses . * No Atomos Ninja -2 or Atomos Samurai or Blade or No any other External Video Recorder are used. Its All In camera Video Footages.
Tags: Nikon D810, Canon 5D Mark III, Profoto, Sekonic, DSLR, Video, Photo, Photography, Photo Assistant, Photo Assistants.
BlackMagic’s DaVinci Resolve has for along time been the industry leader in color grading software for movie industry professionals. When the company released the free version of Resolve lite several years ago movie makers around the country began to take notice, and began using it on independent or low-budget projects; from music videos to feature documentaries.
The release of DaVinci Resolve 11 beta, now delivers a full featured non-linear editing system (NLE) to manage everything from media management through editing and grading through finishing, all in one powerful, high-end system.
Editing in Resolve 11
For those movie makers whose NLE loyalty remains with Adobe Premiere Pro or Apple’s Final Cut Pro X, Resolve 11 brings improved round trip collaboration features. These allow indie directors cutting their movies in PPro and FCP X to easily move their edit to a post-production company for final color grading and finishing. Perfect when independent documentaries and features find backing for mainstream release.
Color Grading in Resolve 11
BlackMagic DaVinci Resolve 11 Enhancements
Resolve 11′s improved collaboration workflow tools enable editors and colorists to work on different workstations simultaneously while sharing the same timeline. This allows feature film and television creative teams to work faster and in sync.
BlackMagic has also improved DaVinci Resolve 11′s color correction tools. Its new color grading and RAW image controls will be especially welcomed by stills photographers who are in the process of becoming digital cinematographers and directors.
This new version includes controls already familiar to RAW photo processing software users - highlight and shadow recovery, mid-tone detail enhancement, color boost, saturation, lift, gain and contrast. Some hybrid stills/video photographers have reportedly been using Resolve Lite for stills images. This new version should tempt many more to do that and apply it to their video footage too.
DaVinci Resolve 11 has now also become an on-set asset management tool through secure backup and saving of your digital camera files via its new clone tool. The tool copies memory cards, media drives and camera packs to multiple back up drives at the same time. Clone backups can be done with DaVinci Resolve Lite 11 on your Mac Book Pro or Windows laptop or through DaVinci Resolve 11 full version in your video village.
These enhancements are just the tip of the iceberg. For more information go to the BlackMagic Design DaVinci Resolve pages. If you are new to DaVinci Resolve, it's a good idea to get a feel for things by trying out the full version by downloading DaVinci Resolve 11 Lite.
Learn more about DaVinci Resolve 11
Learn more about DaVinci Resolve 11.0 Beta
Learn more about DaVinci Resolve Lite 11.0 Beta
Compare DaVinci Resolve 11 Beta with DaVinci Resolve Lite 11 Beta
Tags: DaVinci Resolve, BlackMagic, NLE, Color grading, Canon, DSLR, Video, 5DMKIII, C100, C300, C500, RED, AVID, Final Cyt Pro, AfterEffetcs, Adobe
Go‘s recent music video for the song “The Writing’s On the Wall” was a huge hit, receiving over 7.6M views on YouTube.While it was shot in a single take, doesn’t mean it only took just one take to get it right. The end result is the best of 50 tries and 3 weeks worth of rehearsals.
OK Go - The Writing's On the Wall - Official Video
Tags: OK GO, Photo, DSLR, Video, Canon, Photo Assistant, Photo Assisatnts, PhotoAssistant, fashion, rock, beauty
Zoom has released the new Zoom H5 Handy Recorder; a sequel to the H4n that was embraced by many in the DSLR video world.
The new H5 now includes a brighter LCD screen than the H6 which was previously released.
X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to isolate the unit from the H5 body and thus minimize vibration and handling noise. The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise—equivalent to the sound of a jet aircraft from less than 200 feet away—enabling you to capture sounds louder, closer, and cleaner than you ever could before.
READ MORE ON THE ZOOM SITE
Tags: ZOOM H5, Audio Recorder, DSLR, Canon, Video, Photo, Photography, Phographer, Photo Assistant, Photo Assistants
Sia - Chandelier (Official Video)
It's pretty hard to tell which is better: the productions value and DP skills for this video, and the room and mood specific lighting, or the young women dancing. The "Official video" is really well done; and then the recreation live at the ELLEN show the dancer changes things up really nicely. Start your weekend early and wacth both videos.
In a little more than two weeks online the music video for "Chandelier" by Sia, featuring 11-year-old dancer Maddie Ziegler, has become a minor pop-culture phenomenon, generating more than 12 million views on YouTube and being recreated live on-stage for Ellen 9See below). Sia co-directed with Daniel Askill; the DP was Sebastian Wintero and the choreographer was Ryan Heffington.
Tags: Sia, Chandelier, Video Production, DSLR, Canon, Photo Assistant, Photo, Photography, Photographer, Photo Studio, Studio Lighting
Canon’s new Dual Pixel CMOS AF system may be one of the biggest advancements in digital-camera technology we’ve seen in quite a while. Introduced in 2013 with the launch of the Canon EOS 70D digital SLR, this innovative autofocus process—which utilizes a unique approach to implement phase-detection AF—is a major development for solving autofocus issues that arise when a dedicated phase-detection sensor is unavailable and the camera is forced to use the slower contrast-detection AF. This occurs in a DSLR’s live view and movie capture mode, when the mirror must be flipped up.At the same time, Dual Pixel CMOS AF has strong implications for further improvements in mirrorless cameras, which, like live view and movie capture, depend on sensor-based contrast-detection AF. Canon’s Dual Pixel CMOS AF can also be effective when a hybrid autofocus system is used, where a camera dedicates only a limited number of pixels to phase-detection AF to be used in combination with contrast-detection AF.While hybrid systems have improved autofocus speed, this approach is still lacking, with lenses hunting or pulling in and out of focus before locking on a subject. This occurs because cameras still depend largely on contrast-detection AF. As the name “contrast-detection AF” implies, a certain amount of contrast between adjacent pixels is needed before focus can be achieved, which is particularly difficult in low light.With its Dual Pixel CMOS AF, Canon takes a unique approach by creating two separate photo diodes for each pixel, covering about 80 percent of the sensor vertically and horizontally. Hiroshi Miyanari, a Canon staff engineer and one of the technology’s developers, explained in a white paper that each set of photo diodes perform both phase difference AF and imaging functions by capturing two parallax images at the same time: “With Dual Pixel CMOS AF, signals from these two images are used to carry out phase-difference detection AF.” In addition, he noted that, “by combining two photo diodes, the image signal can be output as one pixel,” with no negative effect on image quality. Because the two processes are combined, he pointed out, Canon was able to expand the dual functionality to “all pixels” (albeit with 80 percent coverage).Thanks to its broad coverage of phase detection across the sensor, Dual Pixel CMOS AF is designed to bring faster and more accurate autofocus to DSLRs in live view and smoother autofocus tracking when shooting video. Additionally, the technology promises better performance in low light, since the autofocus is not dependent on the amount of contrast available in a scene.
Tags: Canon Dual Pixel CMOS AF, Photo Assistant, Photo Assistants, PhotoAssistamt, DSLR, HD