DaVinci Resolve 12.1: Remote Rendering, Native Display Support & More

by JamesNYCNovember 10. 2015 13:34

With the release of DaVinci Resolve 12, the former color suite has turned into a full blown NLE. This has been further expanded with version update 12.1; giving editors the ability to select clips when using the blade tool, extend freeze frames, use faders on generators and titles, perform negative time-code offsets and much more.

Since it's initial release in September(2015), DaVinci Resolve 12 has been downloaded by more customers than any other version of the NLE software and has become the industry's fastest growing video editor. DaVinci Resolve is now used on virtually all major films, television shows and commercials! "We've listened to feedback from professional editors and colorists and are excited to give them this free update which includes even more of the features they've been asking for!"

Here is a list of the many changes in 12.1:

  • Remote rendering on DaVinci Resolve Studio
  • Support for native display color profiles on OS X
  • Preferences option to enable 10-bit precision on viewers on OS X 10.11 El Capitan
  • Ability to select clips when in blade mode
  • Support for faders on generators and titles
  • Ability to extend freeze frames from the start of the edit
  • Ability to media manage selected clips on a timeline
  • Ability to perform negative timecode offset in clip attributes
  • Improved support for sub-clips from FCP7 XML
  • Improved rendering of audio transitions (cross-fades) and audio faders
  • Auto scroll during timeline item resize
  • Improved sorting in media storage and media pool
  • Support for smart bin filtering based on clip type
  • Ability to move clips and timelines from a smart bin view
  • Support for moving files to the trash instead of deleting them permanently when using the media manager on both Mac and Windows systems
  • Ability to delete multiple projects and folders in project manager
  • Ability to decompose a compound node
  • Ability to grade nested timelines
  • Ability to filter clips based on whether they have keyframes
  • Ability to manually keyframe power windows in frame mode even without tracking
  • Ability to freeze the current frame on an external matte
  • User option to copy flags and markers when performing ColorTrace
  • Improved ACEScc support
  • Support for stereo decision list (SDL) v0.25
  • Support for RED SDK v6.0.4
  • Support for embedding timecode in audio output

 

DaVinci Resolve 12.1 is available now as a free update to both versions of DaVinci Resolve. You can find the download for it at www.BlackmagicDesign.com

 

Blackmagic Design Announces DaVinci Resolve 12.1 Update Now Available

Fremont, California – November 12, 2015 – Blackmagic Design today announced the immediate availability of DaVinci Resolve 12.1 which adds dozens of new features such as remote rendering, 10-bit viewers, new editing and color correction tools, and more. The DaVinci Resolve 12.1 update is available now for both DaVinci Resolve 12 and DaVinci Resolve 12 Studio customers, and can be downloaded from the Blackmagic Design website.

DaVinci Resolve 12 is the most successful update in the history of the software and has become the industry’s fastest growing video editor. The feedback from the DaVinci Resolve community has been overwhelmingly positive and Blackmagic Design engineers have been hard at work to add even more of the features that professional editors and colorists have asked for.

DaVinci Resolve 12.1 update gives editors the ability to select clips when using the blade tool, extend freeze frames, use faders on generators and titles, perform negative timecode offsets, filter clips more efficiently, media manage groups of selected timeline clips, sort bins and footage more easily, create better filters for smart bins, and much more. Customers also get improved subclip support with Final Cut Pro 7 XMLs and improved audio rendering of audio transitions.

For colorists, DaVinci Resolve 12.1 update adds the ability to color correct nested timelines and to decompose compound nodes along with new manual keyframe options for Power Windows, support for 3D stereo decision lists version 0.25, filtering of keyframed clips, the option to copy flags and markers when performing ColorTrace and more.

In addition, the free DaVinci Resolve 12.1 update adds support for native display profiles on Mac OS X El Capitan, along with the option to enable 10-bit precision in the on screen viewers. That means customers using the new iMac with Retina P3 Display will be able to see more color, detail and dynamic range than ever before.

Since its release in September, the rapidly growing community of DaVinci Resolve 12 editors has meant that developers are now bringing their best and most exciting OpenFX plugins to DaVinci Resolve. For example, GenArts has been working with Blackmagic Design to bring new Sapphire Builder support to DaVinci Resolve 12. Expected in an upcoming Sapphire 9.0.1 release, Builder will let DaVinci Resolve users combine Sapphire plug-ins together in any order to create a virtually unlimited number of unique effects and transitions. “DaVinci Resolve is the first OFX host to support Sapphire Builder!” said Sapphire product manager Brian Fox, “We’re very excited that DaVinci Resolve 12.1 users can benefit from all the new capabilities of Sapphire Builder.”

To support the growing momentum of DaVinci Resolve 12, Blackmagic Design has conducted multiple hands on training sessions with the Motion Pictures Editor’s Guild in Hollywood. “I feel like DaVinci Resolve 12 is the NLE users have been waiting for all of these years,” said Noam Kroll, Los Angeles based filmmaker and editor whose feature film credits include “The Grace Of Jake” (2015), “Shake The Dust” (2014) and “Footsteps” (2012). “DaVinci Resolve 12 offers the same track based system that many editors are most comfortable with, but also provides truly innovative tools that feel very forward thinking.”

“Since it was released in September, DaVinci Resolve 12 has been downloaded by more customers than any other version of the software and has become the industry’s fastest growing video editor,” said Grant Petty, CEO, Blackmagic Design. “DaVinci Resolve is now used on virtually all major films, television shows and commercials! We’ve listened to feedback from professional editors and colorists and are excited to give them this free update which includes even more of the features they’ve been asking for!”

What’s new in DaVinci Resolve 12.1

  • Remote rendering on DaVinci Resolve Studio
  • Support for native display color profiles on OS X
  • Preferences option to enable 10-bit precision on viewers on OS X 10.11 El Capitan
  • Ability to select clips when in blade mode
  • Support for faders on generators and titles
  • Ability to extend freeze frames from the start of the edit
  • Ability to media manage selected clips on a timeline
  • Ability to perform negative timecode offset in clip attributes
  • Improved support for sub-clips from FCP7 XML
  • Improved rendering of audio transitions (cross-fades) and audio faders
  • Auto scroll during timeline item resize
  • Improved sorting in media storage and media pool
  • Support for smart bin filtering based on clip type
  • Ability to move clips and timelines from a smart bin view
  • Support for moving files to the trash instead of deleting them permanently when using the media manager on both Mac and Windows systems
  • Ability to delete multiple projects and folders in project manager
  • Ability to decompose a compound node
  • Ability to grade nested timelines
  • Ability to filter clips based on whether they have keyframes
  • Ability to manually keyframe power windows in frame mode even without tracking
  • Ability to freeze the current frame on an external matte
  • User option to copy flags and markers when performing ColorTrace
  • Improved ACEScc support
  • Support for stereo decision list (SDL) v0.25
  • Support for RED SDK v6.0.4
  • Support for embedding timecode in audio output

About DaVinci Resolve 12

DaVinci Resolve 12 is the only software that lets customers edit, grade and finish projects all in a single tool. DaVinci Resolve lets professional editors work in a comfortable, familiar way while also giving them an entirely new toolset, along with DaVinci’s legendary image processing technology, that will help them cut and finish projects at higher quality than ever before. The familiar multi track timeline, customizable interface and keyboard shortcuts make it easy for editors to switch to DaVinci Resolve 12. Best of all, with DaVinci Resolve there is no monthly subscription, you don’t need to be connected to the cloud, and you don’t need to buy any proprietary hardware.

DaVinci Resolve Versions

DaVinci Resolve 12 is available for Mac, Windows and Linux computers with 3 versions available:

DaVinci Resolve 12 is free for customers to download and is a full professional editing and color grading system that is suitable for independent users working on SD, HD and Ultra HD projects. The free version supports all of the same file formats and has the same exact image quality as the paid version of DaVinci Resolve. The free version is designed for editors and colorists who need a dependable and professional tool to grow their business.

DaVinci Resolve 12 Studio is $995 and has all of the same features as the free version, but also adds support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, 3D stereoscopic tools, remote rendering, and collaboration tools that let multiple users work on the same project at the same time. DaVinci Resolve 12 Studio is recommended for professional studios and collaborative workgroups.

DaVinci Resolve Advanced Panel is $29,995 and includes the Linux, Mac and Windows version of DaVinci Resolve 12 Studio, along with the award winning DaVinci Resolve hardware control surface. Designed with input from professional colorists, the DaVinci Resolve Advanced Panel lets colorists manipulate multiple parameters simultaneously, giving them more control and creative options than is possible with a standard mouse and keyboard.

Availability and Price

DaVinci Resolve 12 and DaVinci Resolve 12 Studio are available now for download from the Blackmagic Design web site free of charge for all DaVinci Resolve customers.

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RØDE RØDELink Filmmaker Kit

by JamesNYCJune 22. 2015 21:11

For still photographers getting into filmmaking, audio has been a difficult production skill to master  even in the best circumstances.

When you’re a one-man production team (or even two), you just don’t want to spend the time looking for a clear frequency, and then find half-way through a shot you have to change it again anyway – often my experience with the EW100 G2.

In comes the RØDELink, with virtually no setup; constant frequency hopping; no external antennae to bend; quality I already know; and a price – $399 – roughly half the price of a comparable Sennheiser kit.

RØDE: please add an external mic module.

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Samsung boosts storage of high-capacity SSDs to a hefty 2 TB

by JamesNYCJune 6. 2015 09:26

Samsung looked to usher in the consumer adoption of solid state drives (SSDs) back in 2013 with the launch of its speedy EVO series. It continues to forge ahead with its high-capacity vision for consumer-oriented, flash memory storage solutions with the addition of a pair of 2TB SSDs to its lineup.

The newest members of Samsung's SSD family are powered by the company's proprietary 3D Vertical NAND (V-NAND) technology, which it first unveiled in 2013. This brings the total range of products in its SSD lineup to 20, ranging in capacity from 120 GB up to the whopping new 2 TB options.

The drives are housed in the same 7 mm, 2.5-in aluminum casing as previous models and comprise 32 layers of 128 GB 3D V-NAND flash chips and an improved MHX controller to better support the 2 TB format. Also inside are four 20 nanometer-class 4Gb LPDDR3 DRAM chips.

Samsung has launched two versions, the 2 TB 850 EVO and 2 TB 850 PRO. The PRO variants have traditionally promised slightly better read/write speeds and reliability. Though Samsung is yet to release technical details on the new drives, it is guaranteeing the PRO model for 10 years or 300 TB written, and the EVO model for five years or 150 TB written.

The 2 TB 850 EVO is expected to cost US$800 and the 2 TB 850 PRO $1,000. There's no official release date yet, but they will be available to buy in 50 countries. Samsung also says that it has plans to extend the 3D V-NAND SSD lineups to include mSATA and M.2 form factors.

 

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SanDisk targets enterprise customers with world's first 4 TB 2.5-inch SSD

by JamesNYCMay 5. 2015 09:22

Flash-based solid state drives (SSDs) have historically been the poor cousins to platter-based HDDs in terms of storage capacity, making them a poorer option for enterprise applications. But SanDisk is looking to change things with its new Optimus MAX SSD, the world's first 2.5-inch Serial Attached SCSI (SAS) SSD packing 4 TB of storage capacity.

Touting the new drive as the first true replacement for legacy mission-critical data center SAS HDDs, SanDisk claims the 4 TB Optimus MAX SSD allows enterprises to maintain their current SAS storage infrastructures, while providing improved, cost-effective performance, and generating less heat and consuming less power than HDDs.

Just exactly how cost effective the new drive is remains to be seen as SanDisk hasn't revealed pricing details, but it is claiming sequential read/write speeds of up to 400/400 MB/s and random read/write speeds of up to 75,000/15,000 Input/Output Operations Per Second (IOPS) for the drive via its SAS 6 Gb/s interface.

Although the thought of slotting a 4 TB SSD into your laptop might sound appealing, SanDisk is targeting the drive at read-intensive applications with typical workloads made up of a read/write ratio of 90/10. This includes data warehousing, media streaming, web servers, video on demand (VOD), and web-based applications.

"Customers have been looking for a way to transition their data centers from HDDs to NAND flash, but have been forced to decide between cost and performance, or give up important functionality," says John Scaramuzzo, Senior Vice President and General Manager, Enterprise Storage Solutions at SanDisk. "We believe that the Optimus MAX will be a disruptive force within the storage industry, catalyzing many organizations to make the switch from their HDD-prominent data center infrastructures to SSDs."

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RØDE Announces the iXY Microphones for iPhone 5, 5s and 5c

by JamesNYCJuly 13. 2014 02:45

 

The iXY with Lightning connector features a matched pair of ½ inch condenser capsules arranged in a stacked X-Y configuration, with on-board high-fidelity analogue to digital conversion. This ensures accurate, immersive and true to life stereo recordings.

The iXY with Lightning connector provides broadcast quality audio in your pocket, everywhere. Perfect for meetings, reporting, recording music and used on-camera you won't leave home without it.

Interchangeable rubber mounting clamps are supplied to suit both iPhone 5/5s and 5c, which also provide shock mounting and help to minimise vibration transferring to the microphone capsules. A foam windshield for outdoor recording and protective storage pouch are also included.

The RØDEGrip mount is optionally available for mounting the iXY and iPhone on a camera or microphone stand, and a "deadcat" windshield for high wind conditions will be available shortly.

RØDE Rec also recently received an update to increase compatibility and stability on the iOS 7 platform and are available to download in the App Store.

Visit www.ixymic.com for more information

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Nikon D810 vs Canon 5D Mark III

by JamesNYCJuly 1. 2014 05:10

Nikon D810 vs Canon 5D Mark III Video Test

Lenses used :- Nikkor 24-70 2.8 Canon 24-70 2.8
Note :- No editing is done. Both Camera are set on Same ISO-Aperture-Shutter Speed - Standard Style & Used same quality of Lenses . * No Atomos Ninja -2 or Atomos Samurai or Blade or No any other External Video Recorder are used. Its All In camera Video Footages.

 

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DaVinci Resolve 11 and Resolve 11 Lite Rleased by BlackMagic today

by JamesNYCJune 27. 2014 02:55

BlackMagic’s DaVinci Resolve has for along time been the industry leader in color grading software for movie industry professionals. When the company released the free version of Resolve lite several years ago movie makers around the country began to take notice, and began using it on independent or  low-budget projects; from music videos to feature documentaries.

What’s New

The release of DaVinci Resolve 11 beta, now delivers a full featured non-linear editing system (NLE) to manage everything from media management through editing and grading through finishing, all in one powerful, high-end system.

Editing in Resolve 11

For those movie makers whose NLE loyalty remains with Adobe Premiere Pro or Apple’s Final Cut Pro X, Resolve 11 brings improved round trip collaboration features. These allow indie directors cutting their movies in PPro and FCP X to easily move their edit to a post-production company for final color grading and finishing. Perfect when independent documentaries and features find backing for mainstream release.

Color Grading in Resolve 11

BlackMagic DaVinci Resolve 11 Enhancements

Resolve 11′s improved collaboration workflow tools enable editors and colorists to work on different workstations simultaneously while sharing the same timeline. This allows feature film and television creative teams to work faster and in sync.

BlackMagic has also improved DaVinci Resolve 11′s color correction tools. Its new color grading and RAW image controls will be especially welcomed by stills photographers who are in the process of becoming digital cinematographers and directors.

This new version includes controls already familiar to RAW photo processing software users - highlight and shadow recovery, mid-tone detail enhancement, color boost, saturation, lift, gain and contrast. Some hybrid stills/video photographers have reportedly been using Resolve Lite for stills images. This new version should tempt many more to do that and apply it to their video footage too.

DaVinci Resolve 11 has now also become an on-set asset management tool through secure backup and saving of your digital camera files via its new clone tool. The tool copies memory cards, media drives and camera packs to multiple back up drives at the same time. Clone backups can be done with DaVinci Resolve Lite 11 on your Mac Book Pro or Windows laptop or through DaVinci Resolve 11 full version in your video village.

These enhancements are just the tip of the iceberg. For more information go to the BlackMagic Design DaVinci Resolve pages. If you are new to DaVinci Resolve, it's a good idea to get a feel for things by trying out the full version by downloading DaVinci Resolve 11 Lite.

Compare the features of DaVinci Resolve

Learn more about DaVinci Resolve 11

Learn more about DaVinci Resolve 11.0 Beta

Learn more about DaVinci Resolve Lite 11.0 Beta

Compare DaVinci Resolve 11 Beta with DaVinci Resolve Lite 11 Beta

DaVinci Resolve 11 Configuration Guide

DaVinci Resolve 11 Manual

DaVinci Resolve Keyboard Shortcuts

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Behind the Scenes of OK Go’s Viral Optical Illusion-Packed Single Take Music Video

by JamesNYCJune 24. 2014 03:13

Go‘s recent music video for the song “The Writing’s On the Wall” was a huge hit, receiving over 7.6M views on YouTube.While it was shot in a single take, doesn’t mean it only took just one take to get it right. The end result is the best of 50 tries and 3 weeks worth of rehearsals.

OK Go - The Writing's On the Wall - Official Video

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Zoom Releases All New H5 Handy Recorder

by JamesNYCMay 23. 2014 21:21

Zoom has released the new Zoom H5 Handy Recorder; a sequel to the H4n that was embraced by many in the DSLR video world.

The new H5 now includes a brighter LCD screen than the H6 which was previously released.

Louder. Closer. Cleaner.

X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to isolate the unit from the H5 body and thus minimize vibration and handling noise. The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise—equivalent to the sound of a jet aircraft from less than 200 feet away—enabling you to capture sounds louder, closer, and cleaner than you ever could before.

READ MORE ON THE ZOOM SITE

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When video production skills count: Sia - Chandelier (Official Video)

by JamesNYCMay 21. 2014 14:23

Sia - Chandelier (Official Video)

It's pretty hard to tell which is better: the productions value and DP skills for this video, and the room and mood specific lighting, or the young women dancing. The "Official video" is really well done; and then the recreation live at the ELLEN show the dancer changes things up really nicely. Start your weekend early and wacth both videos.

In a little more than two weeks online the music video for "Chandelier" by Sia, featuring 11-year-old dancer Maddie Ziegler, has become a minor pop-culture phenomenon, generating more than 12 million views on YouTube and being recreated live on-stage for Ellen 9See below). Sia co-directed with Daniel Askill; the DP was Sebastian Wintero and the choreographer was Ryan Heffington.

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