Magic Lantern 40fps on Canon 5D Mk III in RAW

by JamesNYCAugust 22. 2014 12:38

Magic Lantern keeps pushing the boundaries of the Canon DLSR platform.

They have recently announced that it is now possible, on the Canon 5D Mark III, for you to shoot at 40 frames per second at 1080 in RAW mode.

If you are shooting in 720 you can record up to 67fps in RAW.

You might be asking why this is such a big deal. Until now you were limited to only 30fps in full 1080. Many projects these days require the ability to shoot slow motion in 1080 is a necessity.

Until now my work around has been to shoot those productions that require slow motion in 24 fps for the main footage and then any b-roll I would shoot at 30fps and conform those to 24fps. This slows down the b-roll enough to really help create a cinematic look to the video.

That is the way I can stay in full 1080 resolution. With this workflow I can take the “edge” off the video but it still isn’t really slow motion. I also shoot 30fps with a high shutter speed and can slow the footage down even more in post to get closer to real slow motion in 1080.

Now with the ability to go down to 40fps I can now start approaching true slow motion in 1080. If you need to push slow motion a little more you can still apply post production slow motion and those extra 10 frames per second really make a huge difference.

Make sure you download and try out a few features from Magic Lantern. It is like buying a whole new camera with new features. Happy shooting.

Technical info here.

Tags: , , , , , , , , ,

General

ZEISS - The Physics of Camera Lenses

by JamesNYCAugust 22. 2014 08:23

Zeiss has released a technical article by Dr. Vladan Blahnik all about the irradiance and aperture of camera lenses. The 32-page article goes in-depth on the physics of lenses.

Read it here.

Tags: , , , , , , , , ,

General

Blackmagic Pocket Cinema Camera Films Through Pentax Viewfinder for Charming Short Film

by JamesNYCAugust 22. 2014 07:24

Mathieu Maury and Antoine Pai used the Blackmagic Pocket Cinema Camera to film vignettes through the viewfinder of a Pentax 67 camera.

Mathieu Maury and Antoine Pai are two photography and filmmaking enthusiast who decided to launch a production and advertising company called Maison Carnot. They are passionate about finding new subjects and ways to explore what surrounds them. Based on this philosophy, they came up with the short film "Paris through Pentax".

Through the viewfinder images always seem to catch the eye and this video is no exception. The beauty of Parisian life is shown from start to finish. Here is a short interview with them to see how and why the film was made. From Antoine: 

It's interesting story, Mathieu passed by my place with the Pentax 67 and almost the same day I received the Blackmagic pocket camera and it just seemed obvious to us when the two cameras were lying together on the table. The depth and beauty from the Pentax is just hypnotizing. So, after some DIY brainstorming we ended up with the right set up.

This short film is shot in a few of the best spots around Paris, they cleverly used a mix of famous and not-so famous locations. Watching this film, it is quickly evident that there is a decent amount of dynamic range in the scenes - great use of the Black Magic Pocket camera's capabilities. They also created a wooden jig to hold the camera and black paper covered flag to get rid of any reflections or flares. This resulted in a relatively inexpensive setup that created expensive looking high-end finished product. When DIY is done right, you don't know it's DIY. Enjoy this quick trip around Paris.

Maison Carnon around the web: Facebook, Twitter, Vimeo.

DIY brainstorming we ended up with the right set up.

 

Tags: , , , , , , , ,

General

Monkey Selfies can not be copyrighted

by JamesNYCAugust 22. 2014 06:10

The verdict is in: monkey selfies cannot be copyrighted.

A public draft of a U.S. Copyright Office report, released Tuesday, said it will register only works created by human beings.

Hidden among the document's 1,222 pages is article 306, which covers The Human Authorship Requirement: "The U.S. Copyright Office will register an original work of authorship, provided that the work was created by a human being," the record said. "The Office will not register works produced by nature, animals, or plants."

The first, very specific, example: a photograph taken by a monkey. It turns out a mural painted by an elephant doesn't count, either.

British nature photographer David Slater spent three days in the Indonesian wilderness in 2011, shadowing a pack of macaque monkeys, becoming a part of their tribe. Once comfortable with each other, the photographer set his camera on a tripod, framed the shot, and left the shutter button for a female monkey to operate.

Tags: , , , , , , , , ,

General

Canon 5D Mark III vs. ,OnePlus One Android Phone

by JamesNYCAugust 21. 2014 07:03

In the below video, YouTube user EXIV compares footage taken from a Canon 5D Mark III with that taken from a OnePlus One Android phone.

He writes, "The aim of this test is exclusively to compare how the OnePlus One performs respect the Canon 5D Mark III in a ideal light condition. In this case I am pleased to notice that the OPO performed incredibly well, but no doubts that the Canon 5D Mark III is obviously still the best option for filmmakers for all the many reasons that make a DSLR what it is. But it is interesting also to notice that, in terms of dynamic range, the OPO performed incredibly well compared with the 5D, and I can tell you that with a similar exposure, there is almost no difference between the two."

Tags: , , , , , , , ,

General

Free Color Predictor App Lets You Preview Camera Color Capabilities Under Different Lighting

by JamesNYCAugust 20. 2014 08:12

First released at NAB earlier this year, the Academy Color Predictor for iOS 7 aims to let you predict and preview the color rendering capabilities of digital cameras under different lighting setups.

Great lighting is just as much science as it is art. Finding tools and resources covering the artistic side of lighting is fairly easy, finding them on the scientific side not so much. Luckily for us, there’s an incredibly bright group of people out there that think of nothing else but the physics behind light and how it relates to cinematography. They’re called The Academy’s Scientific and Technology Council, a part of the Academy of Motion Picture Arts and Sciences (the very same people who hand out those small golden statues each year that everyone seems to enjoy so much).

The Academy’s Solid State Lighting committee released a very interesting free app for the iPad (iOS 7 only) at NAB 2014 called the Academy Color Predictor (ACP). Its object is to allow cinematographers and art directors to predict and preview the color rendering capabilities of digital cameras under different lighting setups. The ACP allows you to check a camera setup with a wide variety of variables against a known reference light source, and shows you the color differences you’ll have using standard color charts on your iPad.

Here’s the issue: you have a shot that encompasses two different types of lights.

Light A is a small 1x1 foot square panel made up of hundreds of small LEDs, drawing around 40 Watts of power from a small camera battery, that you want to keep about 1-3 meters from your talent.

Light B is a giant ball of plasma 1.3 million kilometers around, putting out 3.846×1026 Watts of power from an ongoing hydrogen thermonuclear fusion reaction, that you really want to keep about 150 million kilometers or so away from your talent.

It probably wouldn’t surprise you that because of the wildly different sources of light, the spectral response of each light may be very divergent even though the color temperature (5600K) is the same. The LED panel and the Sun have different frequencies of red in their light, so they will render a red shirt in different ways. The Academy Color Predictor can show you those differences, and let you determine if this combo may pose difficulties for color correction later.

Tags: , , , , , ,

General

Shutter Count APP is Now Available for Windows

by JamesNYCAugust 19. 2014 13:14

What is Shutter Count and why should you care?

Well…have you seen what’s been going on at eBay lately?

In the past month, 20 or so U.S. location, working Canon 5D Mk II bodies – the camera that really set off the DSLR video revolution – have sold for as little as $970, topping out at just under $1,600.

By comparison, a new Mark III body will set you back around $3,500, give or take.

For U.S. location Canon 7D bodies, it’s even better: over the past 3 months, transactions have closed for as little as $360, topping out just about where the 5D Mk II begins, near the $1,000 price point.

It’s a great time to buy a used camera.

Or is it a terrible time to sell a used camera?

It depends, of course, upon which side of the transaction you sit.

But three things are clear:

1) With tectonic shifts taking place in the market (from new entrants like the Panasonic GH4 and Sony A7s to the rumored replacement this September of the much-loved and venerable Canon 7D), most people know that IF they want to switch or trade up, they have a very limited time before their current gear values plummet even farther than they already have.

2) Whether you’re a buyer or a seller, a camera body with fewer shutter actuation's – all else being equal – will command a higher price than one with more, just like mileage on a used car.

3) If you can report the shutter count for the camera you’re selling, you enhance your credibility and you are likely to get to a fairer price for both parties.

Until now, Windows users were at a disadvantage compared to Mac users relying on the aptly-named ShutterCount app by DIRE Studio to do just that.

The good news: DIRE has now released a Windows version, available for the same $2.99.

Note that  ShutterCount – in either version — does NOT tell you how many hours of video have been shot.

ShutterCount for Windows

ShutterCount displays the number of shutter actuations (the shutter count) of your Canon EOS digital camera. The shutter count is read directly from a USB-connected camera, and thus provides accurate numbers that are not attainable with simple EXIF-based methods.

With ShutterCount you can easily check whether a newly purchased camera is really new, or check how heavily used a pre-owned item is. And you can save a trip to a Canon Service Center by doing the reading for yourself.

The app provides unlimited readings for an unlimited number of cameras, so you can freely track actual camera usage. Even if you work for a rental house or just lend a camera to a friend.

ShutterCount only displays the shutter count for still photos - video clips recorded are not included in the number. For a separate mirror movement reading (that includes videos) you should consult an authorized Canon Service Center.

History logging allows you to track camera usage. Logs are stored in CSV format that can be imported into Apple's Numbers or Microsoft Excel for further processing. History logging is not available on Windows.

 

Note: for the best compatibility with your camera it is recommended to upgrade the camera's firmware to the latest available version.

WiFi on the EOS 6D and 70D must be turned off as it blocks the USB port when turned on!

Supported cameras:

  • Canon EOS-1D C (requires firmware 1.1.3 or later for correct serial number display)
  • Canon EOS-1D Mark IV
  • Canon EOS-1D X
  • Canon EOS 5D Mark II
  • Canon EOS 5D Mark III (requires firmware 1.2.1 or later for correct serial number display)
  • Canon EOS 6D
  • Canon EOS 7D
  • Canon EOS 50D
  • Canon EOS 60D
  • Canon EOS 70D
  • Canon EOS 100D / Rebel SL1 / Kiss X7
  • Canon EOS 500D / Rebel T1i / Kiss X3
  • Canon EOS 550D / Rebel T2i / Kiss X4
  • Canon EOS 600D / Rebel T3i / Kiss X5
  • Canon EOS 650D / Rebel T4i / Kiss X6i
  • Canon EOS 700D / Rebel T5i / Kiss X7i
  • Canon EOS 1000D / Rebel XS / Kiss F
  • Canon EOS 1100D / Rebel T3 / Kiss X50
  • Canon EOS 1200D / Rebel T5 / Kiss X70

ShutterCount is certified to work with all of the cameras listed above, using their latest firmware revision.

Please quit all applications that might connect to your camera (e.g. Canon EOS Utility, Capture One, Adobe Photoshop Lightroom) before launching ShutterCount.

Questions? Problems? Check out the ShutterCount FAQ or contact our support!

More information at the ShutterCount Webpage

Isn’t it worth $2.99 to find out your camera’s shutter count?

(cover photo credit: snap from DIRE Studio)

Tags: , ,

General

You Are Not A Storyteller

by JamesNYCAugust 19. 2014 09:06

Finlay someone better able to express what I've been saying for 25 years.

You are not a storyteller - Stefan Sagmeister @ FITC from FITC on Vimeo.

Tags: , , , , , ,

General

David LaChappelle directs music video for Daphne Guinness

by JamesNYCAugust 17. 2014 08:28

SHOWstudio: Evening In Space - Daphne Guinness / David LaChapelle / Tony Visconti from SHOWstudio on Vimeo.

Daphne Guinness consolidates her move into music with a theatrical, mesmerising new music video directed by acclaimed image-maker David LaChapelle. Evening in Space was produced by Tony Visconti and is the first single from Guinness' upcoming debut album, which is billed for release in September 2014. The video features custom fashion by many of Guinness' favourite houses, including Iris van Herpen and Noritaka Tatehana, alongside pieces from her own celebrated clothing collection.

Song Writing and Performance: Daphne Guinness
Music Production: Tony Visconti
Video Direction: David LaChapelle

showstudio.com/project/evening_in_space

 

Tags: , , , , , , , , , ,

General

Federal Judge Upholds $1.2 Million Verdict in Morel v. AFP Copyright Case

by JamesNYCAugust 14. 2014 14:10

A federal judge has upheld a $1.2 million jury award in favor of photographer Daniel Morel, after determining that there was sufficient evidence presented at the trial last year to support the verdict.

Morel won $1.2 million in damages after a federal jury determined that Getty and AFP willfully violated his copyrights by uploading eight of his exclusive news images of the 2010 Haiti earthquake, and distributing them without his permission. The award also included an additional $20,000 damages for violations of the Digital Millennium Copyright Act.

Getty and AFP had appealed the $1.2 million award on the grounds that there was not enough evidence presented at the trial to establish willful copyright infringement. They had asked the court to vacate the jury’s finding of willful infringement, reduce the award to Morel, or grant a new trial.

A federal judge rejected the appeal.

“There was evidence from which the jury could have concluded that the defendant’s infringement (and particularly AFP’s) was not just willful but reflected a gross disregard for the rights of copyright holders,” US District Court Judge Alison Nathan wrote in a decision handed down yesterday. She added, “In light of all the consideration that the jury was entitled to consider, [reduction] of the $1.2 million statutory damages award is not required.

“The evidence was plainly sufficient for the jury to conclude that AFP’s infringement was willful under either an actual knowledge or reckless disregard theory,” Nathan said. She said the evidence for willfulness on Getty’s part was “somewhat thin” in comparison to the evidence against AFP. But she went on to say that the evidence of Getty’s willfulness “was sufficient to support the jury’s verdict.”

Morel had uploaded his images to Twitter, offering to license them to news outlets. The images were stolen and re-distributed by another Twitter account holder. Judge Nathan cited evidence presented at trial that Vincent Amalvy, AFP’s Director of Photography for the Americas, knew or should have known that the images were actually Morel’s, and that AFP didn’t have permission to distribute them.

The evidence against Getty for willful infringement was that it left Morel’s images on its web site under a false credit for more than two weeks after AFP sent a “kill notice” telling Getty to remove the images.

The award was the maximum amount of statutory damages possible under the law.

AFP and Getty had asked the court to reduce the $1.2 million award on the grounds that it was based on a “speculative” figure of actual damages amounting to $275,000 in lost sales. Judge Nathan said that on the basis of actual downloads (1,000 or more) of the image and sale prices, the actual damage estimate was reasonable. But she went on to say that juries aren’t required in any case to base statutory awards on actual damage estimates.

She also rejected arguments that the $1.2 million statutory award was “instinsically excessive.” Noting that courts defer to the prerogative of juries to set damage awards and rarely set them aside unless they “shock the judicial conscience and constitute of denial of justice,” Nathan said AFP’s actions in particular could be seen as “gross disregard for the rights of copyright holders” and let the jury award stand.

At the same time, Nathan upheld a $10,000 jury award against AFP for Digital Millennium Copyright Act (DMCA) violations, while vacating a $10,000 award for DMCA violations against Getty.

The DMCA makes it unlawful to intentionally remove or alter copyright management information, or to knowingly provide or distribute false copyright management information with intent to conceal infringement.

Evidence presented at trial showed that Vincent Amalvy, the AFP Director of Photography, knew that Morel’s images were falsely credited to another Twitter user, but distributed the pictures with the false credit anyway, Judge Nathan wrote in her decision.

Getty violated the DMCA by continuing to distribute the images under a false credit, after receiving notice from AFP to remove the images, the judge said. But Getty was not liable under a DMCA provision for distributing the images with knowledge before the fact that the image credits had been illegally altered.

----UPDATE---

Willkie Farr & Gallagher LLP press release below:

Court Upholds Landmark Jury Verdict for Willkie Client, Photojournalist Daniel Morel

New York, NY (August 14, 2014) — U.S. District Judge Alison Nathan of the U.S. District Court for the Southern District of New York yesterday issued a Decision and Order upholding the jury’s verdict that Agence France-Presse and Getty Images (US) Inc. must pay $1.22 million for willfully infringing photojournalist Daniel Morel’s copyrights in his award-winning images of the 2010 earthquake in Haiti.

In the Decision, the Court rejected defendants’ argument that there was insufficient evidence to support the jury’s finding that the defendants acted willfully when they wrongfully misappropriated and transmitted Mr. Morel’s photographs to over 1,000 of their subscribers and licensees. The Court also left intact the jury’s award of the maximum statutory damages available under the Copyright Act. The Court held: “There was evidence from which the jury could have concluded that Defendants’ infringement (and particularly AFP’s) was not just willful but reflected a gross disregard for the rights of copyright holders.” After learning of the Decision, Mr. Morel said, “I am grateful that Judge Nathan recognizes the value of a photojournalist’s work and that she is holding AFP and Getty Images fully responsible for what they did to me. I hope no other photojournalist will have to go through a similar ordeal.”

The Willkie team is led by partner Joseph Baio in the firm’s New York Office. ***************************************************** Willkie Farr & Gallagher LLP is an international law firm of over 600 attorneys with offices in New York, Washington, Paris, London, Milan, Rome, Frankfurt and Brussels. The firm is headquartered in New York City at 787 Seventh Avenue. Tel: 212.728.8000.

 

Tags: , , , , , , , , , , ,

General

Stuff people say

Any photographer who says he’s not a voyeur is either stupid or a liar. - Helmut Newton

 

"The Camera does not lie, Post Production and Publishers do". - James-ism 09/06/2013

 

Nothing ever comes to one, that is worth having, except as a result of hard work. - Booker T. Washington

 

"Papa, ... Music is your love, but Photography is your Religion." - Joya D. Hall-Sullivan | Age 10

 

"All photographs are accurate. None of them is the truth." - Richard Avedon - 1984

 

 "I have not failed. I've just found 10,000 ways that won't work." - Thomas Alva Edison

 

"Any photographer who says he’s not a voyeur is either stupid or a liar." - Helmut Newton

 

"You don’t have to sort of enhance reality. There is nothing stranger than truth." - Annie Leibovitz

 

"When you find yourself beginning to feel a bond between yourself and the people you photograph, when you laugh and cry with their laughter and tears, you will know you are on the right track." - Weegee

 

" The camera is much more than a recording apparatus. It is a medium via which messages reach us from another world." - Orson Welles

 

"Some people's photography is an art. Not mine. Art is a dirty word in photography. All this fine art crap is killing it already." - Helmut Newton

 

"Our virtues and our failings are inseparable, like force and matter. When they separate, man is no more. " - Nikola Tesla

 

"I think all art is about control - the encounter between control and the uncontrollable." - Richard Avedon

 

"The first 10 000 shots are the worst." - Helmut Newton

 

“If I have any ‘message’ worth giving to a beginner it is that there are no short cuts in photography.” – Edward Weston

 

"Men often become what they believe themselves to be. If I believe I cannot do something, it makes me incapable of doing it. But when I believe I can, then I acquire the ability to do it even if I didn't have it in the beginning." - Mahatma Gandhi

 

"Ultimately success or failure in photographing people depends on the photographer's ability to understand his fellow man." - Edward Weston

 

"If you want reality take the bus." - David LaChapelle

 

"You don't take a photograph, you make it." - Ansel Adams

 

"When I have sex with someone I forget who I am. For a minute I even forget I’m human. It’s the same thing when I’m behind a camera. I forget I exist." - Robert Mapplethorpe

 

" Great photography is always on the edge of failure." - Garry Winogrand

 

"I don’t think photography has anything remotely to do with the brain. It has to do with eye appeal." - Horst P. Horst

 

"Be yourself. I much prefer seeing something, even it is clumsy, that doesn't look like somebody else's work." - William Klein

 

"Avedon claims to have been the best photographer in the '60s - bullshit - Bob Richardson was - despite or because of being insane and strung out on drugs, I managed to do photographs that are considered iconic - being known as the 'photographer's photographer' means I lead and they follow - I'm broke and they are rich." - Bob Richardson

 

"If you're absent during my struggle, don't expect to be present during my success" - Will Smith

 

"Either take the lead or follow behind, just stay the fuck out of my way." - James Sullivan

              Copyright 1998-2013 1ProPhoto.Com All rights reserved.  
>