"Hell, there are no rules here - we're trying to accomplish something." - Thomas A. Edison
that says it all
Photographer John Hornbeck couldn't find a camera app for his phone that came anywhere close to the high-contrast, black-and-white photographs he makes with his camera, and he wasn't interested in "having to purchase a bunch of add-ons." Hornbeck, who earns money from his photography but also works in the software industry, decided to collaborate with a friend to build an app that would come close to reproducing his style.
After they finished the app, Contrast by Hornbeck, the photographer used it for a few months before he and the developer decided to “push it out to the public and see if there would be any interest from others.” There has been.
Hornbeck has promoted the app—it’s available for free—via his social media channels, and others have shared it. “I know at least a couple of respected photographers who use it and have told others about it, so it’s just word of mouth and people playing around,” he says. The downloads number “in the thousands,” and several hundred images on Instagram are tagged with the #contrast by hornbeck hashtag.
The biggest thing this app offers that others don’t, Hornbeck says, is simplicity. Photographers can use it to make high-contrast, black-and-white shots. “That’s all it does and we have no plans to really change that.”
Tags: iPhone, APP, Social media, B&W, Photo, Photographer, Photography, Photo Assistant, Photo Assistants, Photoassistant
The backstory. Prior to the incident on the Hudson River, Stephen Mallon was “surviving” on royalties from multiple stock agencies. He had been photographing landscapes for licensing and exhibition, and personal work. A book editor at a portfolio review had expressed interest in making a book but Stephen felt he didnʼt have the right content that he envisioned for his first monograph. So he set about focusing on his interests in the recycling industry. He engaged a writer to help with a proposal, and, explaining that he intended to make images for non-commercial use, he gained access for two days to a recycling plant in New Jersey, which led to access to others in other states and to a body of work that would come to be titled “American Reclamation.” This was all self-funded by the bits and pieces he was drawing in from editorial and resale.
The break. In New Jersey, in 2008, Stephen spotted a barge loaded full of stripped down subway cars and thus discovered the artificial reef project, wherein these erstwhile MTA cars are shipped to various locations off the US coast and dumped in the ocean to create artificial reefs both for sea-life and for tourism, images of which would become “Next Stop Atlantic.” The company concerned was Weeks Marine, and here began a wonderful relationship. Forward to 2009 and Stephen and his wife are out celebrating her birthday when Chesley Burnett “Sully” Sullenberger, III, makes his amazing landing on the freezing Hudson River. Mallon called Weeks Marine and sure enough they were tasked with retrieving the plane; they commissioned Stephen to photograph the project, bringing him in by tug boat to make an incredible photo essay that made national news. As well as all the licensing, the prints are still selling well in the fine art market.
READ THE FULL ARTICLE ON APHOTOEDITOR.COM
Tags: Photo Editor, PhotoAssistant, Photo Assistants, Photographers Assistant, Photographer, Photography, Photo Studio
Nikon D810 vs Canon 5D Mark III Video TestLenses used :- Nikkor 24-70 2.8 Canon 24-70 2.8Note :- No editing is done. Both Camera are set on Same ISO-Aperture-Shutter Speed - Standard Style & Used same quality of Lenses . * No Atomos Ninja -2 or Atomos Samurai or Blade or No any other External Video Recorder are used. Its All In camera Video Footages.
Tags: Nikon D810, Canon 5D Mark III, Profoto, Sekonic, DSLR, Video, Photo, Photography, Photo Assistant, Photo Assistants.
For those looking to switch from Aperture To Lightroom Adobe provides this PDF.
With the release of OS X Yosemite later this year, Apple will cease the development of its ‘pro’ photo editing app Aperture. Users of that program will be transitioned to Photos, a new app that was introduced during the WWDC keynote and that will be released next year.
Photos integrates many of the advanced photo editing features that were previously found in Aperture and will replace iPhoto on the new OS X as well.
With the introduction of the new Photos app and iCloud Photo Library, enabling you to safely store all of your photos in iCloud and access them from anywhere, there will be no new development of Aperture,” an Apple spokesperson told TechCrunch. “When Photos for OS X ships next year, users will be able to migrate their existing Aperture libraries to Photos for OS X.”
Apple says that it will provide compatibility updates to Aperture that allow it to run on OS X Yosemite, but will not continue to develop it. Adobe says that it will ‘double down’ on Lightroom support and offer Apple users a way to migrate: Put simply we’re doubling down on our investments in Lightroom and the new Creative Cloud Photography plan and you can expect to see a rich roadmap of rapid innovation for desktop, web and device workflows in the coming weeks, months and years. We also continue to invest actively on the iOS and OSX platforms, and are committed to helping interested iPhoto and Aperture customers migrate to our rich solution across desktop, device and web workflows.
Here's a new image of Photos on OS X Yosemite:
Apple will also provide update paths that help users transition from Aperture and iPhoto to Photos for OS X. This does not, Apple says, signal a move away from servicing pro customers with other apps like Final Cut Pro and Logic, which will stick around.
As a long-time Lightroom user and ex pro photographer, this news doesn’t surprise me in the least. Lightroom did a killer job of siphoning Aperture customers, especially as Aperture endured long periods of languishing without a lot of major updates. Now, Apple is formalizing that shift by unifying its photos apps into one offering. And Photos, unlike Aperture, integrates Apple’s new iCloud Photo Library, which should make things easier for people with multiple Apple devices.
I would also not be surprised if Apple discontinued iPhoto on iOS in favor of one photos app there, as iOS 8 will introduce new editing tools to the stock app. But I have no information on whether that will happen or not; it’s just a hunch.
Tags: APPLE, OSX, Photo, Photography, Photographer, Photo Assistant, Photo Assistants, Photographers Assistant, Profoto
BlackMagic’s DaVinci Resolve has for along time been the industry leader in color grading software for movie industry professionals. When the company released the free version of Resolve lite several years ago movie makers around the country began to take notice, and began using it on independent or low-budget projects; from music videos to feature documentaries.
The release of DaVinci Resolve 11 beta, now delivers a full featured non-linear editing system (NLE) to manage everything from media management through editing and grading through finishing, all in one powerful, high-end system.
Editing in Resolve 11
For those movie makers whose NLE loyalty remains with Adobe Premiere Pro or Apple’s Final Cut Pro X, Resolve 11 brings improved round trip collaboration features. These allow indie directors cutting their movies in PPro and FCP X to easily move their edit to a post-production company for final color grading and finishing. Perfect when independent documentaries and features find backing for mainstream release.
Color Grading in Resolve 11
BlackMagic DaVinci Resolve 11 Enhancements
Resolve 11′s improved collaboration workflow tools enable editors and colorists to work on different workstations simultaneously while sharing the same timeline. This allows feature film and television creative teams to work faster and in sync.
BlackMagic has also improved DaVinci Resolve 11′s color correction tools. Its new color grading and RAW image controls will be especially welcomed by stills photographers who are in the process of becoming digital cinematographers and directors.
This new version includes controls already familiar to RAW photo processing software users - highlight and shadow recovery, mid-tone detail enhancement, color boost, saturation, lift, gain and contrast. Some hybrid stills/video photographers have reportedly been using Resolve Lite for stills images. This new version should tempt many more to do that and apply it to their video footage too.
DaVinci Resolve 11 has now also become an on-set asset management tool through secure backup and saving of your digital camera files via its new clone tool. The tool copies memory cards, media drives and camera packs to multiple back up drives at the same time. Clone backups can be done with DaVinci Resolve Lite 11 on your Mac Book Pro or Windows laptop or through DaVinci Resolve 11 full version in your video village.
These enhancements are just the tip of the iceberg. For more information go to the BlackMagic Design DaVinci Resolve pages. If you are new to DaVinci Resolve, it's a good idea to get a feel for things by trying out the full version by downloading DaVinci Resolve 11 Lite.
Learn more about DaVinci Resolve 11
Learn more about DaVinci Resolve 11.0 Beta
Learn more about DaVinci Resolve Lite 11.0 Beta
Compare DaVinci Resolve 11 Beta with DaVinci Resolve Lite 11 Beta
Tags: DaVinci Resolve, BlackMagic, NLE, Color grading, Canon, DSLR, Video, 5DMKIII, C100, C300, C500, RED, AVID, Final Cyt Pro, AfterEffetcs, Adobe
Go‘s recent music video for the song “The Writing’s On the Wall” was a huge hit, receiving over 7.6M views on YouTube.While it was shot in a single take, doesn’t mean it only took just one take to get it right. The end result is the best of 50 tries and 3 weeks worth of rehearsals.
OK Go - The Writing's On the Wall - Official Video
Tags: OK GO, Photo, DSLR, Video, Canon, Photo Assistant, Photo Assisatnts, PhotoAssistant, fashion, rock, beauty
Dior recruited director Harmony Korine (Spring Breakers) for its latest perfume spot, featuring Russian model Sasha Luss in a through-the-looking-glass scenario set to a Die Antwoord soundtrack.
Tags: Sahsa Luss, Harmony Korine, Ryan McGinley, Dior, Addict, photo photography, beauty, fashion, photographer, photo assistant, digital tech
This is what creative people do when they are stuck at the Las Vegas airport overnight; Shoot a music video on your iPhone.
All by myself from Richard Dunn on Vimeo.
The following is an interview with Richard Dunn from CBC radio Canada
Tags: iPhone, Las Vegas, Photo, Photography, Photographer, Photo Assistant
PHOTO PRODUCTION COORDINATOR, NY www.IndustrialColor.com
Industrial Color, the leader in digital still and video capture and post-production services, seeks a full-time Photo Production Coordinator to join our New York team.
Handle all aspects of shoot production, including:
Skills and Experience:
Competitive benefits, salary and compensation dependent upon experience
Go to the Industrial Color site.
Tags: Photo Assistant, Photo Assistants, PhotoAssistant, Digital Tech, Photo production Coordinator, Photo, Photographer, Photography, Fashion, Beauty